Child of the Regiment
Date: 2011-10-05T00:00:00+00:00
Keywords: Orphans -- Juvenile fiction; Napoleonic Wars; 1800-1815 -- Campaigns -- Austria -- Juvenile fiction

The Project Gutenberg eBook of Child of the Regiment

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Child of the Regiment

Author: Anonymous

Release date: October 5, 2011 [eBook #37638]
Most recently updated: January 8, 2021

Language: English

Credits: Produced by Larry B. Harrison, and the Archives and Special
Collections, University Libraries, Ball State University
and the Online Distributed Proofreading Team at
https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK CHILD OF THE REGIMENT ***

CHILD

OF THE

REGIMENT.

NEW YORK:

P. J. COZANS, PUBLISHER,

107 NASSAU STREET,

CORNER OF ANN.

LITTLE MARY.

ot many years ago a terrible battle was fought between the soldiers of Napoleon Bonaparte and the Austrians, at a small village in Italy. The Austrians were severely beaten, and the houses of the village were set on fire by the cannon, and all burned or torn down; the poor villagers were driven from their homes, and thousands of soldiers were killed or wounded, and left to die on the ground; the Austrians tried to get away from the French, but the furious soldiers of Napoleon pursued them with their bayonets, or trampled them to death with their horses.

In the French army was a regiment of soldiers who were called guards; they were all dressed alike, in blue coats and white pantaloons, trimmed with crimson and gold: they were terrible fellows to fight, and their enemies were very much afraid of them, or they were always in the thickest of the battle, clearing their way with the points of their bayonets. While this regiment was pursuing the Austrians, near the burning village, one of the Guards, an old man, saw a sweet little girl who could scarcely walk; her papa and mama had been driven from their homes, and her papa, who carried her in his arms, was killed by the soldiers. Mary, for that was her name, held up her little hands crying bitterly, as she lay among the killed and wounded; and the Old Guard, who was a brave but kind soldier, pitied her, and took her in his arms, and when the battle was ended, carried her to his tent, and calling his comrades together, told them of the little girl he had found; and no one knowing who she was, or who her parents were, they called her Mary, the Child of the Regiment, and agreed to take care of her as well as they could. Poor little Mary, she had no mama to undress her at night, and make her a little bed, but the good old Guard, gave her some of his supper and laid her down on some straw, for the soldiers have no other beds in their tents; and after laying his coat over her to keep her warm, and his haversack under her head, she sobbed awhile, and fell asleep to forget the scenes of that dreadful day. The next morning the old Guard awoke little Mary, and washed her face, and combed her hair as well as he could, for he had never taken care of a child in his life, and was almost afraid to touch her with his hard and rough hands, which he thought only fit to shoulder arms or charge bayonet with; and after taking some dried meat and hard bread for breakfast, he took her out to let her see the soldiers: they were delighted with Mary, and many of them ran to take her up in their arms, but she liked the Old Guard best, and wanted to be with him, for she was afraid of their glittering muskets, as she remembered how terrible they looked only the day before, when the noise of their guns, and deafening hurrahs had almost frightened her to death; but they were kind to her, and she afterwards loved them very much, for she said the whole of the twenty-first regiment was her father, as they called her their child, and took care of her.

The old Guard then took little Mary to live with him, and she learned to sew and play with her doll, which he had bought for her; and delighted in filling his canteen with water, and polishing his epaulettes; she would also sing and dance with him; which pleased him very much, for he loved no body but her; as he was a great many miles from his home, and had marched all the way with the army.

At other times, when the old Guard was not with her, she amused herself by rambling through the fields gathering wild flowers, or climbing the mountains to see the army in the valley below.

At length the regiment was ordered home, and took little Mary with them. She suffered many hardships in travelling so great a journey, for sometimes she had to walk a long way, or ride on a baggage waggon, which was no better than a cart; and in crossing the Alps, they frequently slept on the cold ground, without any fire or even their suppers; and as the mountains were covered with snow and ice, poor little Mary passed many bitter nights and tedious days; and often thought of the peaceful and happy home she had lost for ever; but the old Guard was kind to her, and often carried her on his back or in his arms a great way: and after many lone weeks, during which time a great number of the poor soldiers died from suffering and toil, they arrived in France.

By this time she had grown up to be a fine girl; she always lived with the regiment, and had almost forgotten her papa and mama, and the battle. The old Guard had never tried to find any of her friends, for he thought they were all killed when the village was destroyed; at any rate nobody had ever enquired for her; and they had no hopes of finding out who she was or who her parents were. While the regiment stayed in France they were quartered near a large city, where Mary used to buy fruit and flowers for herself, and many things to please the Old Guard. She was delighted with the town, and wished to live there very much; upon which the regiment agreed to send her to a boarding school, where she soon became acquainted with many little girls who were amiable and kind, and much amused with her stories about the army, particularly the battle and her journey across the Alps.

During Mary's stay in the town she became acquainted with a school-boy named Rodolph, who was in the same class with her. He was a sprightly, daring little fellow, and on one occasion threw himself between Mary and a mad ox that was rushing furiously along the street, and would probably have gored her to death but for the courage of Rodolph, who succeeded in rescuing her. From this time Mary became much attached to him, and they frequently took many pleasant rambles together, and the Old Guard called him a little corporal, and said he might one day be an officer.

Rodolph was the son of a poor widow, who had lost her husband in battle, and was in consequence reduced in circumstances, and scarcely able to support herself and send him to school; but more misfortunes came upon them, and they were at a loss what to do to save themselves from the poor-house. Rodolph was proud, and could not bear the thought of poverty and want, and was determined to do something to relieve the distress of his mother.

One day, while occupied with these thoughts, the fife and drum of a recruiting party met his ears, and as a large sum of money was offered to those who would join the army, and a military life (as related by little Mary) he thought would be the most likely to suit him, he stepped forward to the ranks, took his gun, held up his head, and became a soldier in a minute.

Rodolph rushed home to present the money to his mother, who was almost distracted when she heard what he had done; as the regiment he had joined was ordered into immediate service, and he would soon be in all the hardships and horrors of war, from which she never expected he would return.

War is a horrible thing, and Rodolph before long was seen upon the field of victory; here he behaved so bravely that he was made a corporal, and afterwards a sergeant; and at another hard fought battle attracted the notice of his officer, and was promoted to the rank of Lieutenant.

But good fortune was in store for the young soldier, in a way that he would never have thought of; it happened that the wife of the colonel of the regiment to which Rodolph belonged, who had followed her husband to the field of battle, was surprised one day while alone, by two stragglers from the enemy who were proceeding to rob and perhaps murder her; when very fortunately Rodolph and another soldier who happened near the spot, and drawing their swords, attacked the robbers boldly; Rodolph's comrade however received a severe wound, and he was therefore left alone to defend himself and the lady against the ruffians; but Rodolph was fearless and fought desperately; he wounded the two villains, and conveyed the lady in safety to the tent of the officer.

The colonel scarcely knew how to show his gratitude; he gave Rodolph a large sum of money which he immediately sent home to his mother, and gave him also the command of a company of soldiers, after raising him to the rank of captain.

How happy was Rodolph when he was thus raised from a common soldier and many hardships, to independence and honour, notwithstanding all the dangers and sufferings he had encountered. Another officer was, however, very much displeased with the good fortune which had attended one whom he considered to be so much below him, and took every opportunity to insult and injure him. Rodolph bore this for some time with great patience, but at last the gentleman became so ugly and troubled him so much, that he could not bear it any longer; and the consequence was, though he knew it was very wrong, that he was forced to fight a duel, or else be looked upon as a coward by the rest of his companions in arms.

They at length met to fight, and Rodolph not wishing to harm his enemy, fired his pistol in the air, but the other taking advantage of Rodolph, severely wounded him. It was sometime before Rodolph recovered, but he did at last, and by earnestly entreating the officers to save the man who had thus acted treacherously towards him, he escaped a severe punishment which he otherwise would have met with. The noble conduct of Rodolph filled him with gratitude; he asked his forgiveness, which was instantly granted, and they became the best of friends.

After the war was over, the army returned to France, and great was the joy of Rodolph at the thought of once more beholding his mother, and to think he had now the means of rendering her comfortable for life. On entering the town he flew to the home of his parent, for he had been away a long while; and he was so altered with his splendid uniform, bright sword and epaulettes, that his mother scarcely knew him; but her joy at once more seeing him, knew no bounds.

Rodolph had been home but a short time, when the thoughts of his little companion would not let him remain long without trying to see her. He repaired immediately to the school, but all were strange faces, and nobody seemed to know him or little Mary either. He next visited the camp, but found the regiment had gone back to Italy a long time since, and Mary of course was with them. Poor Rodolph returned, with bitter disappointment, and determined to join the army again, and die on the field of battle. With this resolution, after taking an affectionate leave of his mother, he returned to tent, and was soon again amid the roar of cannon and the clash of arms; for Rodolph had been so long surrounded by danger and the busy scenes of a soldier's life, that the peaceful home of his boyhood seemed wearisome to him.

We now return to little Mary, who was at school, making friends of every one she became acquainted with, and carefully studying her lessons, and most always at the head of her class. On entering the room one morning, and looking round, she saw that Rodolph was not there. He staid away the next day, and the next; when Mary heard he had been seen in company with some recruiting soldiers, and she trembled for fear he had gone with them. She immediately hastened to the camp, and almost the first thing she saw was Rodolph, with his musket shouldered, and the perspiration streaming down his cheeks, while the rough, harsh voice of an old corporal ordered him instantly to his quarters.

Mary waved her hand to him, but he did not see her. The tears rolled down from her eyes, as she turned from him—for she knew the hardships he would have to suffer—and hurrying home, threw herself in the arms of the Old Guard, and wept as though she had lost her only friend. The next day she heard of his departure, and went to her studies, with the hope that he might return and spend some happy hours with her once more.

After the regiment had stayed a long-time in France, it returned to Italy again; and coming to a beautiful village, the Old Guard told Mary it was the place where the battle was fought, and showed her the place where he found her. Mary could not remember the spot nor any thing else which she saw, for it was a long while ago, and she was a very little girl at that time. The houses which had been burned down were all built up again, and the little boys and girls were all playing about as though nothing had ever happened. On the arrival of the soldiers, they all ran to look at the Guards and hear the drums.

It soon became known that a young lady was with the regiment, and the story of her and the Old Guard was told to almost every one, and that she once lived in that beautiful village, and was found on the battle-field and carried off by the French soldiers. It was not long before the story of little Mary was told to a lady, who lived in a beautiful mansion or villa near the quarters of the regiment. Her husband, who was an officer, was killed in battle, and her little child lost in the crowd of people and soldiers who were trying to save themselves, on that terrible day the French soldiers came to fight the Austrians. The dead body of her husband was found, but nothing was ever known of the little child. The more she thought of the story of Mary the more she thought of her own little girl; and ordering her carriage directed it to be driven to the camp; where she found the tent of the Old Guard, and inquired for little Mary. When the lady saw her she was surprised, to see such a beautiful girl with the soldiers—for Mary was now a young lady, and had been many years with the regiment. She asked the Old Guard many questions concerning the battle; and heard how she was found on the field, surrounded by cannons, and horses, and killed and wounded soldiers; that she was crying bitterly, and sat by the side of a dead officer. The lady heard the Old Guard, and wept while he was telling the story, for she began to think that Mary was her long lost little girl. But when the Old Guard brought the dress, and a necklace and locket which she had on her neck, all of which he had carefully kept, and showed them to the lady, she cried for joy, and clasped Mary in her arms; for it was indeed her little Mary; and she kissed her over and over again. The dress was the same she had worn on the morning of the battle, and the necklace was a present from her papa, the officer who was killed; and the letters on it were for her name, which was Mary St. Clair. The Old Guard was surprised and delighted to know that little Mary was an officer's daughter, and that her parents were so rich and great; but the tears came in the old soldier's eyes when he thought she must leave him; and Mary could not bear the thought of parting with him forever. But Mrs. St. Clair, Mary's mother, was determined they should not be separated, when she heard how kind the Old Guard had been to her; and, after procuring his discharge, invited him to live with them. The party at length set out for the villa, and the soldiers of the Guards took leave of her with tears in their eyes, and rushed from the ranks to kiss her for the last time.

Mary was delighted with her ride, but more pleased with her beautiful home, and the splendid apartments, and the costly furniture. Mary was immediately introduced to many young ladies and gentlemen, and soon became one of the liveliest and most beautiful women in Italy. The Old Guard dressed himself in his best uniform, which he would never exchange for any other dress: for although Mrs. St. Clair wanted to have him dress like a gentleman, he always refused, saying he had always lived and was determined to die a soldier. Not long after this, a great Ball was given by some of the nobility, and all the officers of the army, far and near, were invited. The assembly was brilliant, and imposing; the bright uniforms and gay dresses glittered by the light of chandeliers, and music and festivity seemed to delight them all. As Mary was leaning on the arm of the Old Guard, she noticed a young captain of infantry continually gazing on her, whose face appeared familiar. He stepped forward and mentioned her name, and in an instant they were in each other's arms; it was Rodolph. The wars were ended, and in travelling about the country, he had accidentally received an invitation. As soon as Mary entered the room, he remembered her, and after making himself known, enjoyed her society for the evening. The Old Guard died at the villa, and Mary and Rodolph were married, and lived at the village the rest of their lives.

PHILIP J. COZANS,

PUBLISHER AND BOOKSELLER,

MANUFACTURER AND IMPORTER OF

VALENTINES,

No. 107 Nassau Street, N. Y.

*****

NEW ILLUMINATED TOYS.

- LITTLE MARY, OR THE CHILD OF THE REGIMENT.

- THE FAIRY AND THE CHILDREN.

- THE LITTLE SOLDIER OF THE REVOLUTION.

- THE AMERICAN GENERAL TOM THUMB.

- EIGHT PRETTY STORIES FOR CHILDREN.

- JACK THE GIANT KILLER.

The above are a new series, with matter and illustrations principally original. They are highly coloured, printed on superfine paper, and have been got up without regard to expense. They cannot be surpassed in this country.

ALSO, A 12 mo. EDITION; ILLUSTRATED, COLOURED COVERS, CONSISTING OF

- JOCKO AND MINETTE.

- COOK ROBIN.

- MOTHER HUBBARD.

- RHYMES, CHIMES, AND JINGLES.

- NURSERY MELODIES.

- BLUE BEARD.

THE JUVENILE GIFT,

Containing the above, bound together—Cover illuminated with Gold and Colours.

*****

ALWAYS ON HAND, AN EXTENSIVE ASSORTMENT OF

PLAIN AND COLOURED TOY BOOKS, SONG BOOKS,

ALMANACKS, PLAYS, CARDS,

MOTTO VERSES, BLANK BOOKS, STATIONERY, &c.

WHOLESALE AND RETAIL.

ALSO,

THE GUIDE TO PAINTING IN WATER COLOURS,

WITH COLOURED PLATES PRICE 25 CENTS.

YOUTH'S NEW; PRIMARY; AND PROGRESSIVE DRAWING BOOKS.

THE ART OF GOOD BEHAVIOR,

CONTAINING DIRECTIONS FOR

GIVING AND ATTENDING PARTIES, BALLS, WEDDINGS, DINNERS, ETC.

INCLUDING THE NECESSARY PREPARATIONS AND ARRANGEMENTS FOR THE

MARRIAGE CEREMONY.

*****

☞ Country Orders attended to with punctuality—and liberal discount to the trade.

Transcriber's Note

- Obvious punctuation and spelling errors repaired.

*** END OF THE PROJECT GUTENBERG EBOOK CHILD OF THE REGIMENT ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- CHILD

- OF THE

- REGIMENT.

- NEW YORK:

- P. J. COZANS, PUBLISHER,

- LITTLE MARY.

- PHILIP J. COZANS,

- PUBLISHER AND BOOKSELLER,

- MANUFACTURER AND IMPORTER OF

- VALENTINES,

- No. 107 Nassau Street, N. Y.

- NEW ILLUMINATED TOYS.

- THE JUVENILE GIFT,

- ALWAYS ON HAND, AN EXTENSIVE ASSORTMENT OF PLAIN AND COLOURED TOY BOOKS, SONG BOOKS, ALMANACKS, PLAYS, CARDS, MOTTO VERSES, BLANK BOOKS, STATIONERY, &c. WHOLESALE AND RETAIL. ALSO,

- THE GUIDE TO PAINTING IN WATER COLOURS,

- WITH COLOURED PLATES PRICE 25 CENTS. YOUTH'S NEW; PRIMARY; AND PROGRESSIVE DRAWING BOOKS. THE ART OF GOOD BEHAVIOR, CONTAINING DIRECTIONS FOR GIVING AND ATTENDING PARTIES, BALLS, WEDDINGS, DINNERS, ETC. INCLUDING THE NECESSARY PREPARATIONS AND ARRANGEMENTS FOR THE MARRIAGE CEREMONY.

- ☞ Country Orders attended to with punctuality—and liberal discount to the trade.

- Transcriber's Note

- THE FULL PROJECT GUTENBERG LICENSE