Sherwood Anderson
Author: Eugene P. Sheehy; Kenneth A. Lohf
Date: 2023-06-04T00:00:00+00:00
Keywords: Anderson; Sherwood; 1876-1941 -- Bibliography

The Project Gutenberg eBook of Sherwood Anderson

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Sherwood Anderson
a bibliography

Author: Eugene P. Sheehy

Kenneth A. Lohf

Release date: June 4, 2023 [eBook #70906]

Language: English

Original publication: United States: Talisman Press

Credits: Tim Lindell and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

*** START OF THE PROJECT GUTENBERG EBOOK SHERWOOD ANDERSON ***

SHERWOOD ANDERSON:
A BIBLIOGRAPHY

Sherwood Anderson

Photograph by Edward Steichen, August, 1926

Sherwood Anderson
A Bibliography

COMPILED BY
EUGENE P. SHEEHY & KENNETH A. LOHF

THE TALISMAN PRESS
Los Gatos, California 1960

© 1960 by THE TALISMAN PRESS

Library of Congress Catalog Card Number 60-53225

Contents

Preface | xiv
I. | Works by Sherwood Anderson |
| Individual Works | 18
| Essays and Stories | 43
| Introductions and Forewords | 44
| Letters | 45
| Dramatizations | 46
| Contributions to Periodicals | 47
| Serial Publications Edited by Anderson | 66
| Smyth County News Contributions | 67
II. | Writings About Sherwood Anderson |
| Books, Parts of Books and Periodical Articles | 74
| Poems, Parodies, and Miscellaneous Items | 104
| Reviews | 105
Index | 118

“Gertrude Stein contended that Sherwood Anderson had a genius for using the sentence to convey a direct emotion, this was in the great american tradition, and that really except Sherwood there was no one in America who could write a clear and passionate sentence.”

—The Autobiography of Alice B. Toklas.

Manuscript page from Winesburg, Ohio.

From the Anderson Collection in the Newberry Library, Chicago.

Binding of Windy McPherson’s Son, Anderson’s first book. [Item 1]

Illustrations

Portrait of Sherwood Anderson | Facing title-page
Manuscript Page from Winesburg, Ohio | Page 11
Binding of Windy McPherson’s Son | Facing Opposite
Winesburg, Ohio Title-page, First Edition | Page 21

Preface

Although an examination of Sherwood Anderson’s biography would reveal various careers—that of laborer, manager of a paint factory, advertising writer, short story writer, novelist, poet, essayist, and newspaper editor—it is as a writer of short stories that he has made his most significant contribution to American letters. His concentration on form rather than plot was a key factor in liberating the American short story from the confining techniques of writers in the genteel tradition who were in vogue when Anderson was writing his first novel, Windy McPherson’s son (1916).

Anderson’s first important work, and possibly his finest, was Winesburg, Ohio (1919), a collection of stories about the inhabitants of a small town who did not fit into the accepted pattern of community life. In these sketches his concern was with the failures rather than with the successful. Anderson told their tales with compassion and sympathy, and, through his characters’ maimed or suppressed emotions, he lent significance to neglected aspects of life in an era of respectability, easy success, and commercialism. His succeeding stories and novels evolved from this theme, which, with his experiment in form, enabled the American short story writers of the following decades to reach heights of subtlety and psychological penetration.

The principal repository of Anderson’s manuscripts is the Newberry Library in Chicago. Placed in the Library by the writer’s widow, Mrs. Eleanor Copenhaver Anderson, this collection, numbering some 16,690 items, contains his extensive correspondence with publishers, editors, artists, and notable writers of the twentieth century, among them Gertrude Stein, Ernest Hemingway, H. L. Mencken, Theodore Dreiser, and Thomas Wolfe (see item 753). In addition to Anderson’s numerous short stories and articles, the collection contains the manuscripts of many of his most important writings: Winesburg, Ohio, Kit Brandon, Dark laughter, Many marriages, and A new testament. His diaries for the period, 1936-1941, as well as scrapbooks of reviews and clippings, are also included. It is this collection of papers which Anderson’s future biographers and critics must consult and examine to fully assess his note-worthy influence on and contribution to American fiction.

Arrangement of the bibliography falls quite naturally into two main divisions: writings by Anderson, and writings about the man and his works. In the first section a chronological, descriptive listing of Anderson’s separately published works (together with citations for significant reprints and translations) is followed by an enumeration of books to which Anderson contributed and dramatizations of his writings. Then follows an alphabetical title listing of Anderson’s contributions to periodicals (Raymond Gozzi’s bibliography, item 593, was of value in compiling this section), a list of periodicals and newspapers which he edited, and a select list of his contributions to the Smyth County News. Writings about Anderson are listed alphabetically by author or other main entry in the second section, followed by a representative selection of reviews of Anderson’s works. We have endeavored to make our listings complete through 1959.

We are particularly grateful to Mrs. Eleanor Anderson for her interest and advice, and for allowing us to reproduce a page of the manuscript of Winesburg, Ohio from the Newberry Library Collection. For permission to use his photograph portrait of Anderson as a frontispiece, we are indebted to Mr. Edward Steichen of the Museum of Modern Art. Mr. Ben C. Bowman of the Newberry Library was especially helpful in answering our numerous inquiries and in describing the contents of the Anderson Collection; without his generous assistance many bibliographical questions would have necessarily remained unanswered. Finally, we acknowledge the invaluable co-operation of librarians throughout the country in verifying citations and other points of information.

EUGENE P. SHEEHY
KENNETH A. LOHF

COLUMBIA UNIVERSITY LIBRARIES
NEW YORK CITY, SEPTEMBER 1960

PART I
WORKS BY SHERWOOD ANDERSON

Individual Works

WINDY McPHERSON’S SON. 1916

1. WINDY | McPHERSON’S | SON | [panel line] | BY | SHERWOOD ANDERSON | [double panel line] | NEW YORK: JOHN LANE COMPANY | LONDON: JOHN LANE, THE BODLEY HEAD | MCMXVI [title surrounded by a triple line border]

[1]-347p. 20½ × 13½ cm. Orange cloth stamped in gold on spine and gold and green on cover. One page of advertisements appears on the verso of p.347.

On verso of title-page (p.[4]): Press of J. J. Little & Ives Company, New York.

Dedication (p.[5]): To the living men and women of my own Middle Western home town this book is dedicated.

2. First English edition:

London, John Lane, 1916. 347p.

3. Reprints:

New York, B. W. Huebsch, 1922. 349p. Revised edition with a new concluding chapter.

London, Jonathan Cape, 1923. 349p.

MARCHING MEN. 1917

4. MARCHING | MEN | [panel line] | BY | SHERWOOD ANDERSON | AUTHOR OF “WINDY McPHERSON’S SON” | [double panel line] | NEW YORK: JOHN LANE COMPANY | LONDON: JOHN LANE, THE BODLEY HEAD | TORONTO: S. B. Gundy ⁂ ⁂ MCMXVII [title surrounded by a triple line border]

314p. 19½ × 13 cm. Red cloth stamped in gold on cover and spine.

On verso of title-page (p[4]): Press of J. J. Little & Ives Company, New York.

Dedication (p.[5]): To American workingmen.

5. Reprint:

New York, B. W. Huebsch, 1921. 264p.

6. Translation:

V nogu! Leningrad, Mysl, 1927. 232p. Tr., Mark Volosov. Foreword, V. Lavretski.

MID-AMERICAN CHANTS. 1918

7. MID-AMERICAN | CHANTS | BY SHERWOOD ANDERSON | AUTHOR OF “MARCHING MEN,” “WINDY McPHERSON’S SON,” ETC. | NEW YORK: JOHN LANE COMPANY | LONDON: JOHN LANE, THE BODLEY HEAD | MCMXVIII

82p. 21½ × 14 cm. Yellow cloth stamped in gold on cover and spine; green panel on cover.

On verso of title-page (p.[4]): Press of J. J. Little & Ives Company, New York.

Dedication (p.[5]): To Marion Margaret Anderson.

A Foreword by Anderson, dated February 1918, appears on p.7-8.

Contents: The cornfields; Chicago; Song of industrial America; Song of Cedric the Silent; Song of the break of day; Song of the beginning of courage; Revolt; A lullaby; Song of Theodore; Manhattan; Spring song; Industrialism; Salvo; The planting; Song of the middle world; The stranger; Song of the love of women; Song of Stephen the Westerner; Song to the lost ones; Forgotten song; American spring song; The beam; Song to new song; Song for dark nights; The lover; Night whispers; Song to the sap; Rhythms; Unborn; Night; A visit; Chant to dawn in a factory town; Song of the mating time; Song for lonely roads; Song long after; Song of the soul of Chicago; Song of the drunken business man; Song to the laugh; Hosanna; War; Mid-American prayer; We enter in; Dirge of war; Little song to a Western statesman; Song of the bug; Assurance; Reminiscent song; Evening song; Song of the singer.

8. Reprint:

New York, B. W. Huebsch, 1921. 82p.

WINESBURG, OHIO. 1919

9. WINESBURG, OHIO | A GROUP OF TALES OF | OHIO SMALL TOWN LIFE | [panel line] | BY | SHERWOOD ANDERSON | [publishers’ device with panel line above and below] | NEW YORK | B. W. Huebsch | MCMXIX [title surrounded by single line border]

[x] 303p. 19 × 13 cm. Orange cloth with white paper label on spine and publishers’ device blind-stamped on cover. Top edge stained orange yellow. Map of Winesburg, Ohio, by Harald Toksvig appears on paste-down endpaper. In the first printing, p.86, line 5, reads: “an intense silence seemed to lay over everything.” Later printings changed “lay” to “lie.” On p.251, line 3, the type in the word “the” is broken. For further identification of the first and later printings, see item 713.

Dedication (p.[v]): To the memory of my mother Emma Smith Anderson.

Contents: The book of the grotesque; Hands; Paper pills; Mother; The philosopher; Nobody knows; Godliness (Parts I and II); Surrender (Part III); Terror (Part IV); A man of ideas; Adventure; Respectability; The thinker; Tandy; The strength of God; The teacher; Loneliness; An awakening; “Queer”; The untold lie; Drink; Death; Sophistication; Departure.

10. First English edition:

London, Jonathan Cape, 1922. 303p.

Title page from the first issue of Winesburg, Ohio.

Item 9

11. Reprints:

New York, Modern Library [1919] xv, 303p. Introduction, Ernest Boyd.

Girard, Kansas, Haldeman-Julius company [1925] 63p. (Little Blue Book, no. 865) A selection entitled Hands, and other stories. Contents: Hands; Paper pills; Mother; The philosopher; Nobody knows; A man of ideas; Adventure.

Harmondsworth, England, Penguin Books, 1948. 224p.

New York, New American Library [1956] 159p. (Signet Books 1304)

New York, Viking Press [1958] 303p. (Compass Books Edition. C39)

12. Translations:

An Tê Shên Hsüan Chi. Taepei, Hsinlu Book Company, 1958. 147p.

Mestečko v Ohiu. Prague, SNKLHU, 1958. 212p. Tr. Eva Kondrysová.

Winesburg, Ohio. En amerikansk Provinsbys Menneskeskaebner. Copenhagen, Funkis Förlag, 1934. 264p. Tr., Elias Bredsdorff.

En by i Ohio. Copenhagen. Reitzel, 1959. 144p. Tr., Henrik Larsen.

Pikkukaupunki. Helsinki, Werner Söderström, 1955. 204p. Tr., Leena-Maija Reunanen.

Winesburg-en-Ohio. Paris, Gallimard, 1927. 253p. Tr., Marguerite Gay.

Winesburg, Ohio. Berlin and Frankfurt, Suhrkamp, 1958. 193p. Tr., Hans Erich Nossack.

Solitudine: Winesburg, Ohio. Turin, Slavia, 1931. 304p. Tr., Ada Prospero.

Piccola città nell’ Ohio. Rome, Polin [194-] 221p. Tr., Orsola Nemi.

Racconti dell’ Ohio. Turin, Einaudi, 1950. 263p. Tr., Giuseppe Trevisani.

Miasteczko Winesburg. Obrazki z zycia w stanie Ohio. Warsaw, Czytelnik, 1958. 280p. Tr., Jerzy Krzyszton.

A secreta mentira. Pôrto Alegre, Globo, 1950. xvi, 258p. Tr., James Amado and Moacir Werneck de Castro.

A cidade dos estranhos. Lisbon, Livros do Brasil, 1951. 232p. Tr., James Amado and Moacir Werneck de Castro.

O livro dos grotescos. Rio de Janeiro, Revista Branca, 1952. 248p. Tr., Constantino Paleólogo.

Uinsberg Okhaio. Moscow, Gosudarstvennoye Izdatelstvo, 1924. 224p. Tr., S. D. Matveyev.

Uainsburg, Ogaio. Moscow and Leningrad, L. D. Frenkel, 1924. 248p. Tr., P. Okhrimenko. Foreword, M. Levidov.

Uainsburg, Ogaio. Moscow and Leningrad, Zemlya i Fabrika, 1925. 360p. Tr., P. Okhrimenko.

Winesburgo, Ohio. Madrid, Zeus, 1932. 263p. Tr., Armando Ros. Preface, Ernest Boyd.

Las novelas de lo grotesco. Buenos Aires, S. Rueda [1942] iv, 303p. Tr., Armando Ros. Preface, Max Dickman.

Winesburgo, Ohio. La novela de lo grotesco. Madrid, Aguilar, 1949. Tr., Armando Ros. Preface Germán Gómez de la Mata.

Den lilla staden. Stockholm, C. E. Fritze, 1951. 297p. Tr., Olov Jonason.

Varošica Vajnsberg u državi Ohajo, Belgrade Novo Pokolenje, 1954. 307p. Tr., Slobodan A. Jovanović.

POOR WHITE. 1920

13. POOR WHITE | A NOVEL BY | SHERWOOD | ANDERSON | AUTHOR OF | WINESBURG, OHIO | [publishers’ device] | NEW YORK B. W. HUEBSCH, Inc. MCMXX [title surrounded by a single line border]

[vi] 371p. 19½ × 13 cm. Blue cloth stamped in yellow on spine and publishers’ device blind-stamped on cover. Some copies top edge stained blue.

Dedication (p.[v]): To Tennessee Mitchell Anderson.

14. First English edition:

London, Jonathan Cape, 1921. 315p.

15. Reprint:

New York, Modern Library [1926] viii, 371p. With an introduction by Anderson.

16. Translations:

Arme blanke. The Hague, H. P. Leopold, 1928. 284p. Tr., H. J. Smeding.

Der arme Weise. Leipzig, Insel-Verlag, 1925. 299p. Tr., Karl Lerbs.

I istoria tou Hugh MacVay. Athens, Atlantis, 1958. 240p. Tr., B. Kalantzi.

A nagy ember. Budapest, Révai, 1934. 279p. Tr., Lili Doberhoff.

Un povero bianco. Verona, Mondadori, 1959. 305p. Tr., Luisella Quilico.

Pobre blanco. Barcelona, Gráfica Moderna, 1929. 258p. Tr., Julio Calvo Alfaro. Preface, Angel Flores.

Mannen från västern. Stockholm, Tiden, 1928. 340p. Tr., Stina Dahlberg.

THE TRIUMPH OF THE EGG. 1921

17. THE TRIUMPH OF THE EGG | A BOOK OF IMPRESSIONS | FROM AMERICAN LIFE | IN TALES AND POEMS | BY | SHERWOOD ANDERSON | IN CLAY BY | TENNESSEE MITCHELL | [publishers’ device] | (quotation, six lines, from “Mid-American Chants”) | PHOTOGRAPHS BY EUGENE HUTCHINSON | NEW YORK B. W. HUEBSCH, INC. MCMXXI

[xii] 269p. 20½ × 14 cm. Dark green cloth lettered in yellow on spine and cover; design blind-stamped on cover. First issue has top edge stained yellow.

“Impressions in clay by Tennessee Mitchell” appears on eight unnumbered leaves following p.[viii]

A poem, beginning “Tales are people who sit on the doorstep,” appears on p.[i], the page preceding the half-title.

Dedication (p.[vii]): To Robert and John Anderson.

Contents: The dumb man; I want to know why; Seeds; The other woman; The egg; Unlighted lamps; Senility; The man in the brown coat; Brothers; The door of the trap; The New Englander; War; Motherhood; Out of nowhere into nothing; The man with the trumpet.

18. First English edition:

London, Jonathan Cape, 1922. xi, 269p.

19. Reprint:

Tokyo, Kairyudo [1958?] 2 volumes: 147, 167p. Edited and annotated by Kichinosuke Ohashi. (Kairyudo’s Mentor Library, no. 10)

20. Translations:

Un païen de l’Ohio. Nouvelles tirées de The triumph of the egg et de Horses and men. Paris, Rieder, 1927. 218p. Tr., Marguerite Gay. Preface, Eugène Jolas.

Das Ei triumphiert; Novellen. Leipzig, Insel-Verlag, 1926. 263p. Tr., Karl Lerbs.

Aus dem Nirgends ins Nichts. Leipzig, Insel-Verlag [1927] 77p. Tr., Karl Lerbs. A translation of the story “Out of nowhere into nothing.”

I racconti son uomini. Rome, Editrice Cultura Moderna [1945] 160p. Tr., Guglielmo Santangelo. A selected edition of five stories.

Onna ni natta otoka; Tamago. Tokyo, Eihô-sha, 1956. 194p. Tr., Rikuo Taniguchi and Yoshizô Miyazaki. A translation of the story “The egg.”

Torzhestvo yaitsa. Moscow, Sovremennyie Problemy, 1925. 257p. Tr., P. Okhrimenko.

Yaitso. Moscow, Biblioteka Zhurnala “Ogonyok”, 1926. 63p. Tr., P. Okhrimenko. A translation of the story “The egg.”

HORSES AND MEN. 1923

21. HORSES AND MEN | Tales, long and short, from | our American life | BY | SHERWOOD ANDERSON | [publishers’ device] | NEW YORK | B. W. HUEBSCH, INC. | MCMXXIII

[xiv] 347p. 19½ × 13 cm. Orange cloth with white paper label on spine and publishers’ device blind-stamped on cover. Top edge stained orange.

Dedication (p.[v]): To Theodore Dreiser.

Contents: Foreword; Dreiser; I’m a fool; The triumph of a modern; “Unused”; A Chicago Hamlet; The man who became a woman; Milk bottles; The sad horn blowers; The man’s story; An Ohio pagan.

22. First English edition:

London, Jonathan Cape, 1924. xiii, 347p.

23. Reprints:

London, Jonathan Cape, 1927. 221p. (Travellers’ Library)

New York, Peter Smith, 1933. 222p. (Travellers’ Library)

24. Translations:

L’Homme qui devint femme. Trois nouvelles tirées de Horses and men. Paris, Émile-Paul, 1926. 190p. Tr., Bernard Fay and Jean Rivière. Preface, Bernard Fay.

Un païen de l’ Ohio. Nouvelles tirées de The Triumph of the egg et de Horses and men. Paris, Rieder, 1927. 218p. Tr., Marguerite Gay. Preface, Eugène Jolas.

L’Uomo che diventò donna. Milan, Longanesi, 1949. 314p. Tr., G. Baldini.

Onna ni natta otoko; Tamago. Tokyo, Eihô-sha, 1956. 194p. Tr., Rikuo Taniguchi and Yoshizô Miyazaki. A translation of the story “The man who became a woman.”

Koni i lyudi. Leningrad and Moscow, Petrograd, 1926. 249p. Tr., M. Volosov.

Loshadi i lyudi. Moscow and Leningrad, Gosudarstvennoye Izdatelstvo, 1927. 250p. Tr., M. Kovalenskaya.

MANY MARRIAGES. 1923

25. SHERWOOD ANDERSON | [single line] | MANY MARRIAGES | [publishers’ device] | NEW YORK B. W. HUEBSCH, INC. MCMXXIII [title surrounded by a single line border]

[x] 264p. 19½ × 13 cm. Blue cloth stamped in orange on cover and spine. Top edge stained orange.

Dedication (p.[v]): To Paul Rosenfeld.

A Foreword and an Explanation by Anderson appear on p.[vii-viii] and p.[ix], respectively.

26. Reprint:

New York, Grosset & Dunlap, 1929. 264p.

27. Translations:

Mange Aegteskaber. Copenhagen, Gyldendal, 1946. 218p. Tr., Ole Sarvig.

Molti matrimoni; romanzo. Milan, Mondadori, 1945. 267p. Tr., Luigi Giovanola. Reprinted: 1958.

AN EXHIBITION OF PAINTINGS BY ALFRED H. MAURER. 1924

28. AN EXHIBITION OF | PAINTINGS | BY | ALFRED H. MAURER | BEGINNING | JANUARY FIFTEENTH | -1924- | E. WEYHE | 794 LEXINGTON AVENUE | (Bet. 61st and 62nd Sts.) | NEW YORK

Single folded leaf, [4]p. 14 × 9 cm.

Anderson’s essay on Alfred H. Maurer is untitled and appears on p.[2-3]

Copy in the New York Public Library.

A STORY TELLER’S STORY. 1924

29. A Story Teller’s Story | The tale of an American writer’s journey | through his own imaginative world and | through the world of facts, with many of | his experiences and impressions among other | writers—told in many notes—in four books | —and an Epilogue. | Sherwood Anderson | [publishers’ device] | New York B. W. Huebsch, Inc. Mcmxxiv [title surrounded by a double line border]

[vi] 442p. 21 × 14 cm. Brown cloth stamped in yellow on cover and spine.

Dedication (p.[v]): To Alfred Stieglitz.

30. First English edition:

London, Jonathan Cape, 1925. 442p.

31. Reprints:

Garden City, New York, Garden City Publishing Company [1928] 442p.

New York, Grove Press [1958] 442p. (Evergreen Books, E-109)

32. Translations:

Un conteur se raconte. In two volumes: I. Mon père et moi; II. Je suis un homme. Paris, Editions Kra, 1928-1929. 209, 151p. Tr., Victor Llona. (Collection européenne)

Der Erzähler erzählt sein Leben. Leipzig, Insel-Verlag, 1927. 438p. Tr., Karl Lerbs.

Storia di me e dei miei racconti. Turin, Einaudi, 1947. xix, 338p. Tr., Fernanda Pivano.

Istoriya rasskazchika. Moscow, Gos. izd-vo khudozh. lit-ry, 1935. 318p. Tr., E. Romanova. Introduction, S. Dinamov.

Rasskazy. Leningrad, Gos. izd-vo khudozh. lit-ry, 1959. 506p. Tr., D. M. Gorfinkel.

Sherwood Anderson y yo. Buenos Aires, Santiago Rueda, 1943. 385p. Tr., Luis Echávarri.

DARK LAUGHTER. 1925

33. [Type ornament rule] | DARK | LAUGHTER | [single line] | SHERWOOD ANDERSON | [single line and publishers’ device] | NEW YORK MCMXXV | BONI & LIVERIGHT | [type ornament rule] [title printed in black and blue]

319p. 19½ × 13½ cm. Black cloth stamped in yellow on cover and spine. Decorated endpapers. Also 350 numbered and signed copies, and 20 lettered and signed copies.

Dedication (p.[5]): Dedicated to Jane W. Prall.

34. First English edition:

London, Jarrolds, 1926. 288p.

35. Reprints:

Leipzig, Tauchnitz, 1926. 263p. (Collection of British and American Authors, vol. 4756)

New York, Grosset & Dunlap, 1927. 319p.

Cleveland, World Publishing Company, 1942. 319p.

36. Translations:

Mørk latter. Copenhagen, Gyldendal, 1945. 222p. Tr., Per Lange.

Riso nero. Turin, Frassinelli, 1932. vi, 253p. Tr., Cesare Pavese.

Yoru no aibiki. Tokyo, Kadokawa shoten, 1953. 309p. Tr., Yoshihide Iijima.

Mørk latter. Oslo, Jorgensensboktr., 1929. 267p. Tr., Hans Heiberg.

Mørk latter. Oslo, Reistad. 1940. 221p. Tr., Hans Heiberg.

La risa negra. Madrid, Zeus, 1931. 244p. Tr., Augusto Centeno.

La risa negra. Buenos Aires, Futuro, 1944. 244p. Tr., Augusto Centeno.

Mörkt skratt. Stockholm, Bonnier, 1928. 286p. Tr., Elsa af Trolle. Preface, Anders Osterling.

THE MODERN WRITER. 1925

37. THE MODERN | WRITER | BY SHERWOOD ANDERSON | [woodcut in red] | SAN FRANCISCO MCMXXV | THE LANTERN PRESS | GELBER, LILIENTHAL, INC.

[iv] 44p. 21½ × 14 cm. Black paper over boards stamped in gold on cover.

Colophon (p.[45]): One thousand copies of this book have been printed for The Lantern Press, San Francisco, (Gelber, Lilienthal, Inc.) by Edwin & Robert Grabhorn. Nine hundred & fifty copies are on B. R. Book Paper, numbered from 51 to 1000, and fifty on Japan Vellum, numbered from 1 to 50.

SHERWOOD ANDERSON’S NOTEBOOK. 1926

38. Sherwood | Anderson’s | NOTEBOOK | [panel line] | Containing Articles Written During | the Author’s Life as a Story Teller, | and Notes of his Impressions from | Life [vignette] scattered through the Book | [publishers’ device and panel line] | NEW YORK MCMXXVI | BONI & LIVERIGHT [title surrounded by a triple line border of which the outer line is a decorated rule]

230p. 21½ × 14½ cm. Blue decorated paper over boards; purple cloth spine stamped in gold. Also 225 large paper copies numbered and signed.

Dedication (p.[7]): Dedicated to two friends, M. D. F. and Emerson.

Contents: From Chicago; Four American impressions (Gertrude Stein, Paul Rosenfeld, Ring Lardner, Sinclair Lewis); Notes out of a man’s life (Notes 1-5); A note on realism; After seeing George Bellows’ Mr. and Mrs. Wase; I’ll say we’ve done well; A meeting South; Notes out of a man’s life (Notes 6-10); Notes on standardization; Alfred Stieglitz; Notes out of a man’s life (Notes 11-16); When the writer talks; Notes out of a man’s life (Notes 17-22); An apology for crudity; King Coal; Notes out of a man’s life (Notes 23-29).

TAR: A MIDWEST CHILDHOOD. 1926

39. TAR | A | Midwest Childhood | SHERWOOD ANDERSON | [publishers’ device] | NEW YORK | BONI AND LIVERIGHT | 1926 [first three lines enclosed within a blue decorated border; title surrounded by a single line border]

xviii, 346p. 21½ × 14½ cm. Brown cloth stamped in gold and blue on cover and spine. Also 350 large paper copies numbered and signed.

Dedication (p.[v]): To Elizabeth Anderson.

A Foreword by Anderson appears on p.ix-xviii.

40. First English edition:

London, Martin Secker, 1927. xviii, 346p.

41. Reprint:

New York, Boni and Liveright, 1931. xviii, 346p.

42. Translations:

Tar. Paris, Stock, Delamain et Boutelleau, 1931. 231p. Tr., Marguerite Gay and Paul Genty. Preface, René Lalou.

Tar. Budapest, Athenæum, 1934. 275p. Tr., Andor Gál.

Tar. Barcelona, José Janés, 1948. 295p. Tr., Mario G. Alcántara.

A NEW TESTAMENT. 1927

43. A New | Testament | [panel line] | Sherwood Anderson [panel line] | BONI AND LIVERIGHT | New York mcmxxvii [title, printed in black and red, is surrounded by a double line border]

118p. 18 × 11 cm. Blue cloth stamped in gold and red on cover and spine. Also 265 large paper copies numbered and signed.

Dedication (p.[7]): Dedicated to Horace Liveright.

Contents: A young man; One who looked up at the sky; Testament—four songs; The man with the trumpet; Hunger; Death; The healer; Man speaking to a woman; A dreamer; Man walking alone; Testament of an old man; Half gods; Ambition; In a workingman’s rooming house; A man standing by a bridge; The red-throated black; Singing swamp negro; Thoughts of a man passed in a lonely street at night; Cities; A youth speaking slowly; One who sought knowledge; The minister of God; A persistent lover; The visit in the morning—; The dumb man; A poet; A man resting from labor; A stoic lover; A young Jew; The story teller; A thinker; The man in the brown coat; One puzzled concerning himself; The dreamer; A vagrant; Young man in a room; Negro on the docks at Mobile, Ala.; Word factories; Man lying on a couch; The ripper; One who would not grow old; The New Englander; The builder; Young man filled with the feeling of power; A dying poet; Brother; The lame one; Two glad men; Answering voice of a second glad man; Chicago; Challenge of the sea; Poet; At the well; An emotion; Der Tag; Another poet; A man and two women standing by a wall facing the sea.

ALICE AND THE LOST NOVEL. 1929

44. ALICE AND THE LOST NOVEL | by | SHERWOOD ANDERSON | being Number Ten of | The Woburn Books | [publishers’ device] | Published at London in 1929 by | ELKIN MATHEWS & MARROT [title surrounded by a double line border]

[1]-[28]p. 20½ × 15 cm. Light blue paper over boards colored in dark blue on covers. Pages uncut. Signed by the author on p.[2]

Colophon (p.[2]): Five hundred and thirty numbered copies of this story have been set in Monotype Eleven Point Plantin, and printed by Robert MacLehose & Co. Ltd., at the University Press, Glasgow; Nos. 1-500 only are for sale and Nos. 501-530 for presentation.

HELLO TOWNS! 1929

45. HELLO TOWNS! | [decorated line] | by | SHERWOOD ANDERSON | [single line] | [decorated line] | 19 [publishers’ device] 29 | [decorated line] | New York · Horace Liveright [title, single line, and publishers’ device in red]

[1]-339p. 21½ × 14½ cm. Brown cloth stamped in orange on spine and blind-stamped on cover. Top edge stained orange. In first printing, page 35, line 30, “fingers” is misspelled.

Dedication (p.[5]): To my friends, Mr. and Mrs. Burton Emmett.

Frontispiece: “Map of Smyth County, Virginia” by Tom Ewald.

46. Translation:

Hello town! Munich, Langewiesche-Brandt, 1956. 121p. Tr., Maria von Schweinitz.

NEARER THE GRASS ROOTS. 1929

47. NEARER THE | GRASS ROOTS | BY SHERWOOD ANDERSON | and by the same author, an account of | a journey [vignette in red] ELIZABETHTON | [woodcut] | San Francisco: The Westgate Press: 1929 | [single line]

[iv] 35p. 23 × 15 cm. Decorated green paper over boards; black cloth spine stamped in gold. Autographed by the author on the half-title page.

Colophon: An edition of five hundred copies. Typography by The Grabhorn Press. Wood-cuts by John Ira Gannon. Each copy signed by the author.

THE AMERICAN COUNTY FAIR. 1930

48. THE | AMERICAN | COUNTY | FAIR | by | Sherwood Anderson | [woodcut] | RANDOM HOUSE, NEW YORK | 1930

[ii] 13p. 21 × 14 cm. Stiff green paper covers with label on spine.

On verso of title-page (p.[2]): 875 copies for Random House, PJ [Paul Johnston], printed in the U. S. A. by the Southworth Press.

One of six “Prose Quartos” issued by Random House; title of the series from slip case containing the six pamphlets.

PERHAPS WOMEN. 1931

49. PERHAPS WOMEN | By | Sherwood Anderson | [publishers’ device] | HORACE LIVERIGHT, INC. | NEW YORK [title surrounded by a double line border and printed on a yellow background]

[1]-[144]p. 19½ × 14 cm. Blue cloth stamped in gold on cover and spine. Top edge stained yellow.

Frontispiece: Woodcut by Julius J. Lankes.

On verso of title-page (p.[4]): Copyright, 1931.

Dedication (p.[5]): To Maurice Long.

An Introduction by Anderson, dated April 1931, appears on p.[7]

Contents: Machine song; Lift up thine eyes; Loom dance; It is a woman’s age; Perhaps women; Night in a mill town; Ghosts; Entering the mill at night; Perhaps women; Will America have to turn to women?; Perhaps women; The cry in the night.

BEYOND DESIRE. 1932

50. SHERWOOD | ANDERSON | [single line] | BEYOND | DESIRE | [single line] | [publishers’ device] | LIVERIGHT · INC. | NEW YORK [title surrounded by a red single line border]

[viii] 359p. Tan cloth stamped in red and black on cover and spine. Red endpapers. Top edge stained red. Also limited signed edition.

On verso of title-page (p.[iv]): Manufactured ... at the Van Rees Press.

Dedication (p.[v]): To Elenore.

51. Translations:

Hinsides alt Begaer. Copenhagen, J. H. Schultz, 1937. 376p. Tr., Ole Restrup.

Po tu storonu zhelaniya. Moscow and Leningrad, Gos. izd-vo khudozh. lit-ry, 1933. 320p. Tr., P. Okhrimenko. Introduction, S. Dinamov.

Más allá del deseo. Buenos Aires, Editorial Sud-americana [1945] 458p. Tr., Manuel Barberá.

DEATH IN THE WOODS. 1933

52. DEATH IN THE | WOODS | AND OTHER STORIES | [ornament] | SHERWOOD | ANDERSON | [publishers’ device] | LIVERIGHT · INC · PUBLISHERS | NEW YORK [title surrounded by a triple line border of which the inner line is a broken line]

[viii] 298p. 21 × 14½ cm. Orange cloth stamped in black and gold on spine.

On verso of title-page (p.[iv]): Copyright, 1933. Manufactured ... at the Van Rees Press.

Dedication (p.[v]): To my friend Ferdinand Schevill.

Contents: Death in the woods; The return; There she is—she is taking her bath; The lost novel; The fight; Like a queen; That sophistication; In a strange town; These mountaineers; A sentimental journey; A jury case; Another wife; A meeting South; The flood; Why they got married; Brother Death.

NO SWANK. 1934

53. NO SWANK | [single line] | Sherwood Anderson | [single line] | [publishers’ device] | The Centaur Press | Philadelphia | 1934

[x] 130p. 19½ × 13 cm. Black cloth stamped in gold on spine. One thousand unnumbered copies of which 50 were signed by the author.

On verso of title-page (p.[iv]): Printed and bound ... by The Haddon Craftsmen, Inc.

Dedication (p.[v]): To Laura Lou Copenhaver in appreciation.

Contents: Meeting Ring Lardner; Death on a winter day; The Dreiser; Prize fighters and authors; Mr. J. J. Lankes and his woodcuts; Two Irishmen; To George Borrow; A Stonewall Jackson man; Lincoln Steffens talks of Russia; No swank; Visit to a painter; Gertrude Stein; A man’s mind; Lawrence again; Margaret Anderson: real—unreal; Paul; To Jasper Deeter: a letter.

PUZZLED AMERICA. 1935

54. Puzzled America | [single line] | By | Sherwood Anderson | [decoration] | [single line] | Charles Scribner’s Sons | New York MCMXXV London

xvi, 287p. 21 × 14½ cm. Blue cloth stamped in gold on spine and cover. First printing has code letter A on copyright page.

Dedication (p.[v]): To Roger Sergel.

Contents: Introduction; At the mine mouth; The price of aristocracy; People; Tough babes in the woods; Blue smoke; “I want to work”; A union meeting; New tyrants of the land; Elizabethton, Tennessee; “Please let me explain”; The nationalist; They elected him; Revolt in South Dakota; Village wassail; Night in a corn town; Olsonville; The return of the princess.

KIT BRANDON. 1936

55. KIT BRANDON | A PORTRAIT | [type ornament rule] | BY | SHERWOOD | ANDERSON | 1936 | [type ornament rule] | CHARLES SCRIBNER’S SONS · NEW YORK | CHARLES SCRIBNER’S SONS · LTD · LONDON

[x] 373p. 19½ × 13½ cm. Black cloth stamped in white on spine and cover. Top edge stained blue. First printing has code letter A on copyright page.

Dedication (p.[vii]): To Mary Pratt Emmett.

56. First English edition:

London, Hutchinson, 1937. 346p.

57. Reprint:

London, Hutchinson, 1938. 346p. (Cheap edition)

58. Translations:

Kit Brandon. Copenhagen, Hasselbalch, 1937. 366p. Tr., Arne Stevns.

Kit Brandon. Amsterdam, Wereldbibliotheek, 1947. 312p. Tr., Waldie van Eck.

Ritratto di Kit Brandon. Romanzo. Milan, G. Feltrinelli, 1959. 381p. Tr., Marcella Bonsanti.

PLAYS, WINESBURG AND OTHERS. 1937

59. PLAYS | Winesburg | and Others | By | SHERWOOD | ANDERSON | CHARLES SCRIBNER’S SONS | New York | CHARLES SCRIBNER’S SONS, LTD. | London | [panel line] | 1937 [title enclosed by four crossed lines and surrounded by a double line border]

xxii, 242p. Brown cloth stamped in blue on spine.

Contents: An explanation; Note; Jasper Deeter: a dedication; Winesburg, Ohio; The triumph of the egg; Mother; They married later.

A WRITER’S CONCEPTION OF REALISM. 1939

60. SHERWOOD | ANDERSON | [single line] | A | WRITER’S | CONCEPTION | OF REALISM | AN ADDRESS DELIVERED | ON JANUARY 20, 1939 AT | OLIVET COLLEGE | [single line] | PUBLISHED AT OLIVET COLLEGE | OLIVET, MICHIGAN, MCMXXXIX

20p. 15 × 8½ cm. Wrappers.

On verso of cover (p.2): Copyright 1939, by Sherwood Anderson.

HOME TOWN. 1940

61. THE FACE OF AMERICA | EDWIN ROSSKAM, EDITOR | [single line] | HOME TOWN | BY | SHERWOOD ANDERSON | PHOTOGRAPHS BY FARM SECURITY PHOTOGRAPHERS | [single line] | [publishers’ device] | ALLIANCE BOOK CORPORATION | NEW YORK

[iv] 145p. 26 × 17½ cm. Gray cloth stamped in green on cover and spine.

On verso of title-page (p.[iv]): Copyright 1940 by Sherwood Anderson.

SHERWOOD ANDERSON’S MEMOIRS. 1942

62. Sherwood | Anderson’s | Memoirs | New York | HARCOURT, BRACE AND COMPANY [title surrounded by a single line border]

[x] 507p. 22 × 14½ cm. Black cloth stamped in gold on spine and cover.

On verso of title-page (p.[iv]): Copyright, 1942 by Eleanor Anderson.

Contents: This book; Book I. What a man’s made of: The age; The family; A small town street; Through the corn; Experiments; Discovery of a father; New worlds; Ohio pagans; Horses, bicycles and men; My sister Stella; Book II. American money: Chicago; We share; Money! Money!; The capture of Caratura; I court a rich girl; The golf ball; The Italian’s garden; The man of ideas; Brother Earl; Book III. A robin’s egg renaissance: The nest; Bayard Barton; In Jackson Park; We little children of the arts; Margy Currie; Ben and Burton; All will be free; The death of Mrs. Folger; A chance missed; The conquering male; The finding; Book IV. The literary life: Waiting for Ben Huebsch; I write too much of queer people; Be little; Old Mary, the dogs, and Theda Bara; Certain Meetings South; New York, the ’20’s; Dreiser’s party; Writing stories; Man with a book; Meeting Horace Liveright; I build a house; Book V. Into the Thirties: A dedication and an explanation; A man friend; Why I live where I live; The death of Lawrence; I become a protester; Backstage with a martyr; The feeders; The sound of the stream; Book VI. Life, not death—: The other one; Work fast, man; I went with Eleanor; Writers sweet and sour; Mexican night; Dinner in Thessaly; After a conference; The dance is on; One by one; God bless the Americas; The fortunate one.

63. Translation:

Intimidad de un novelista; memorias de Sherwood Anderson. Buenos Aires, Editorial Claridad [1947] 520p. Tr., Francisco Madrid. (Coleccion de viajes, memorias y aventuras. vol. 2)

THE SHERWOOD ANDERSON READER. 1947

64. THE | Sherwood | Anderson | READER | Edited, with an Introduction, | by Paul Rosenfeld | [publishers’ device] HOUGHTON MIFFLIN COMPANY · BOSTON 1947 | [single line] | The Riverside Press Cambridge

xxx, 850p. 21 × 14 cm. Light tan cloth stamped in red and green on spine and cover. Top edge stained red.

Contents: Introduction; Nobody laughed; Blackfoot’s masterpiece; Paper pills; Hands; Tandy; The untold lie; Unlighted lamps; The New Englander; Chicago; Song of the soul of Chicago; Chicago again; The egg; I want to know why; The contract; The sad horn-blowers; The man with the trumpet; The lame one; The dumb man; Brothers; One throat; When we care; Song of Theodore; The book of the grotesque; Alfred Stieglitz; Foreword from Horses and men; The man’s story; Milk-bottles; A meeting South; The return; Meeting Ring Lardner; Brother death; A part of earth; The yellow gown; A writer’s conception of realism; We little children of the arts; The sound of the stream; Morning roll-call; I’m a fool; A sentimental journey; Justice; A dead dog; The death of Bill Graves; Daughters; An Ohio pagan; The man with a scar; River journey; Smyth County News (Editorials); Father Abraham; a Lincoln fragment; Machine song; Loom dance; Mill girls; The TVA; Tough babes in the woods; ‘Please let me explain’; Bud (As Kit saw him); Brown bomber; Dedication of the Memoirs; Introduction to the Memoirs; Discovery of a father; Girl by the stove; White spot; All will be free; I build a house; The American small town; The corn-planting; A walk in the moonlight; His chest of drawers; Not sixteen; Tim and General Grant.

The following items included in this volume were previously unpublished: Nobody laughed; A part of earth; Morning roll-call; Daughters; Father Abraham: a Lincoln fragment; White spot; Tim and General Grant.

65. Translations:

Il meglio di Sherwood Anderson. Milan, Longanesi, 1954. 1048p. Tr., Marcella Hannau.

Ur ingenstans in i ingenting. Stockholm, C. E. Fritze, 1952. 287p. Tr., Olov Jonason. Preface, Artur Lundkvist.

THE PORTABLE SHERWOOD ANDERSON. 1949

66. The Portable | Sherwood Anderson | Edited, and with an introduction, by | Horace Gregory | New York | The Viking Press | 1949

vi, 631p. 17 × 11 cm. Brown cloth stamped in dark brown.

Contents: Editor’s introduction; The chronology of Sherwood Anderson’s life and books; A selected bibliography on Sherwood Anderson. From Winesburg, Ohio: Hands; The philosopher; Godliness; The strength of God; The teacher; Loneliness; Departure. Poor white. Selected stories: The contract; The egg; I’m a fool; The man who became a woman; A meeting South; Death in the woods. Men and women: Four American impressions: Gertrude Stein, Paul Rosenfeld, Ring Lardner, Sinclair Lewis; Dreiser. Reportage and editorial: The American county fair; In Washington. A selection of letters: To Alfred Stieglitz, John Anderson, Burton Emmett, Ferdinand Schevill, Edmund Wilson, Dorothy Dudley, Burton and Mary Emmett, Theodore Dreiser, John L. Lewis, Henry Goddard Leach, Mary Blair, James Boyd, Paul Appel, Maxwell Perkins, Ettie Stettheimer, Gilbert Wilson, and Anita Loos.

67. Reprint:

New York, Viking Press [1956] vi, 631p. (Viking Paperbound Portable, P42)

LETTERS. 1953

68. Letters of | SHERWOOD ANDERSON | SELECTED AND EDITED WITH AN | INTRODUCTION AND NOTES BY | Howard Mumford Jones | IN ASSOCIATION WITH | Walter B. Rideout | With Illustrations | [publishers’ device] | Little, Brown and Company · Boston

xxv, 479p. 22½ × 14½ cm. Black cloth stamped in gold on spine.

On verso of title-page (p.[iv]): Copyright 1953, by Eleanor Anderson.

Essays and Stories

69. City plowman. In Frank, Waldo, and others, editors. America and Alfred Stieglitz. Garden City, N. Y., Doubleday, Doran, 1934. p.303-08.

70. Harry breaks through. In Kreymborg, Alfred, and others, editors. The new caravan. New York, W. W. Norton, 1936. p.84-89.

71. I want to be counted. In National Committee for the Defense of Political Prisoners. Harlan miners speak. New York, Harcourt, Brace [1932] p.298-312. (“An address delivered before a meeting held by the National Committee ... in New York City on December 6, 1931, to protest the legal and illegal terror in the Harlan, Kentucky, coal fields”)

72. Man and his imagination. In Centeno, Augusto, editor. The intent of the artist. Princeton, Princeton University Press, 1941. p.39-79.

73. Ohio: I’ll say we’ve done well. In Gruening, Ernest Henry, editor. These United States; a symposium. First series. New York, Boni and Liveright [1923] p.109-17.

74. There she is—she is taking her bath. In Kreymborg, Alfred, and others, editors. The second American caravan. New York, Macaulay, 1928. p.100-11.

Introductions and Forewords

75. Alfred Stieglitz presents 7 Americans; A catalogue of an exhibition at the Anderson Galleries, New York, March 9-28, 1925. [New York, 1925] Introduction in form of a poem entitled “Seven alive,” p.3.

76. Crane, Stephen. The works of Stephen Crane. Volume XI: Midnight sketches and other impressions. New York, Alfred A. Knopf [1926] Introduction, dated September 1926, p.xi-xv.

77. Dreiser, Theodore. Free and other stories. New York, Modern Library [1918] Introduction, p.v-x.

78. Jolas, Eugène. Cinema. New York, Adelphi Company, 1926. Introduction, dated June 1, 1926, p.9-10.

79. McKee, Philip. Big town. New York, John Day [1931] Foreword, p.1-9.

80. Shaw, Lloyd. Cowboy dances. Caldwell, Idaho, Caxton Printers, 1939. Foreword, in the form of a letter written from Marion, Virginia, p.5. Revised edition, 1949.

81. Sklar, George and Albert Maltz. Peace on earth. New York and Los Angeles, Samuel French; London, Samuel French, Ltd., 1934. Foreword, p.v-vi.

82. Whitman, Walt. Leaves of grass. New York, Thomas Y. Crowell [1933] Introduction, entitled “Walt Whitman,” p.v-vii.

Letters

83. Desperate need. Nation 135:506 November 23, 1932. Letter to the Editor concerning the Prisoners’ Relief Fund.

84. The herald angel sings. New York Times December 10, 1933, section 10, p.4. Letter to the Drama Editor, dated December 4, 1933, regarding the Theatre Union’s production of “Peace on earth.”

85. Letter [to V. F. Calverton] Modern Quarterly 2:81 Fall 1924. In reference to Calverton’s article on Anderson: see item 529.

86. Letters from Sherwood Anderson. In Paul Rosenfeld, voyager in the arts, edited by Jerome Mellquist and Lucie Wiese. New York, Creative Age, 1948. p.197-232.

87. The letters of Sherwood Anderson. Atlantic Monthly 191:30-33 June 1953. Letters to Roy Jansen and George Freitag, edited by H. M. Jones.

88. Letters of Sherwood Anderson. Berkeley no.1:1-4 [1947] Letters to Robert Morss Lovett and Ferdinand Schevill.

89. Letters of Sherwood Anderson. Harper’s Bazaar 73:130, 201-03 February 1949. Letters to John Anderson and Theodore Dreiser.

90. [Letters to Gertrude Stein] In The flowers of friendship; letters written to Gertrude Stein, edited by Donald Gallup. New York, Alfred A. Knopf, 1953. Includes eleven letters from Anderson.

91. Letters to Van Wyck Brooks. Story 19:42-62 September-October 1941.

Dramatizations

92. Above suspicion. In The Free Company presents; a collection of plays about the meaning of America. New York, The Free Company; New York, Dodd, Mead, 1941. p.269-301. Reprinted as a pamphlet by the Free Company in the same year.

93. I’m a fool. Dramatized by Christopher Sergel. Chicago, Dramatic Publishing Company [1942] 34p.

94. Mother. A one-act play. In Wilde, Percival, editor. Contemporary one-act plays from nine countries. Boston, Little, Brown, 1936. p.43-58.

95. Textiles. A play for the radio. In Kozlenko, William, editor. Contemporary one-act plays. New York, Charles Scribner’s Sons, 1938. p.1-22.

96. The triumph of the egg. A drama in one act; dramatized by Raymond O’Neil. Chicago, Dramatic Publishing Company [1932] 25p.

97. Winesburg, Ohio. A drama in three acts. Dramatized by Christopher Sergel. New York premiere, February 5, 1958. Unpublished.

Contributions to Periodicals

Reprintings in collections of Anderson’s work are indicated as follows:

ALN | Alice and The Lost Novel
BD | Beyond Desire
DW | Death in the Woods
HM | Horses and Men
HT | Hello Towns
KB | Kit Brandon
LSA | Letters of Sherwood Anderson
MAC | Mid-American Chants
NGR | Nearer the Grass Roots
NS | No Swank
NT | New Testament
PA | Puzzled America
PSA | Portable Sherwood Anderson
PW | Perhaps Women
PWO | Plays, Winesburg and Others
SAM | Sherwood Anderson’s Memoirs
SAN | Sherwood Anderson’s Notebook
SAR | Sherwood Anderson Reader
SS | Story Teller’s Story
TE | Triumph of the Egg
WO | Winesburg, Ohio

98. Aching breasts and snow-white hearts; being some fan letters of Ezra Bone of Elmore, Tennessee, to Gloria Swanson. Vanity Fair 25:51, 108 January 1926.

99. Adventures in form and color. Little Review 7:[64] January-March 1921.

100. Advertising a nation. Agricultural Advertising 12:389 May 1905.

101. Alfred Stieglitz. New Republic 32:215-17 October 25, 1922. SAN, SAR.

102. America on a cultural jag. Saturday Review of Literature 4:364-65 December 3, 1927.

103. American spectator. American Spectator 2,no.16:1 February 1934.

104. Another wife. Scribner’s Magazine 80:587-94 December 1926. DW.

105. An apology for crudity. Dial 63:437-38 November 8, 1917. SAN.

106. At Amsterdam. New Masses 8:11 November 1932.

107. At the mine mouth. Today 1:5, 19-21 December 30, 1933. PA (with revisions).

108. An awakening. Little Review 5:13-21 December 1918. WO.

109. Backstage with a martyr. Coronet 8:39-41 July 1940. SAM.

110. Beauty. Harper’s Bazaar 63:78-79, 118 January 1929. ALN (entitled “Alice”), DW (entitled “Like a queen”).

111. Betrayed. Golden Book 1:743-44 May 1925. Concerns Nathaniel Wright Stephenson’s biography of Lincoln.

112. Blackfoot’s masterpiece. Forum 55:679-83 June 1916. SAR.

113. Blue smoke. Today 1:6-7, 23 February 24, 1934. PA.

114. Boardwalk fireworks. Today 5:6-7, 19 November 9, 1935.

115. Broken. Century 105:643-56 March 1923. HM (entitled “A Chicago hamlet”).

116. Brothers. Bookman (N.Y.) 53:110-15 April 1921. TE, SAR.

117. Brown boomer. Signatures no.3:302-08 Winter 1937-1938. SAR (with corrected title, “Brown bomber”).

118. Burt Emmett. Colophon n.s.1,no.1:7-9 Summer 1935.

119. A business man’s reading. Reader 2:503-04 October 1903.

120. Business types: the boyish man. Agricultural Advertising 11:53 October 1904.

121. Business types: the discouraged man. Agricultural Advertising 11:43-44 July 1904.

122. Business types: the good fellow. Agricultural Advertising 11:36 January 1904.

123. Business types: the hot young ’un and the cold old ’un. Agricultural Advertising 11:24-26 September 1904.

124. Business types: the liar—a vacation story. Agricultural Advertising 11:27-29 June 1904.

125. Business types: the man of affairs. Agricultural Advertising 11:36-38 March 1904.

126. Business types: silent men. Agricultural Advertising 11:19 February 1904.

127. Business types: the solicitor. Agricultural Advertising 11:21-24 August 1904.

128. Business types: the traveling man. Agricultural Advertising 11:39-40 April 1904.

129. Business types: the undeveloped man. Agricultural Advertising 11:31-32 May 1904.

130. Carl Sandburg. Bookman (N.Y.) 54:360-61 December 1921.

131. Caught. American Mercury 1:165-76 February 1924. SS (entitled “Epilogue”).

132. Censorship. Laughing Horse no.17:[5] February 1930.

133. Chicago—a feeling. Vanity Fair 27:53, 118 October 1926.

134. City gangs enslave moonshine mountaineers. Liberty 12:12-13 November 2, 1935.

135. Cityscapes. American Spectator 2,no.16:2 February 1934.

136. Communications. American Spectator 1,no.11:2 September 1933.

137. Confessions and letters: questionnaire. Little Review 12:12-13 May 1929. Reprinted: The Little Review Anthology, p.354-55.

138. The contract. Broom 1:148-53 December 1921. SAR, PSA.

139. The corn planting. American Magazine 118:47, 149-50 November 1934; Penguin Parade 1:115-22 November 1937. SAR.

140. Cotton mill. Scribner’s Magazine 88:1-11 July 1930.

141. Country town notes. Vanity Fair 32:63, 112, 126 May 1929.

142. The country weekly. Forum 85:208-13 April 1931.

143. County squires. Vanity Fair 33:63, 128 October 1929.

144. A criminal’s Christmas. Vanity Fair 27:89, 130 December 1926. HT.

145. The cry in the night. Vanity Fair 37:49-50, 80 September 1931.

146. The dance is on. Rotarian 58:7 June 1941. SAM.

147. Danville, Virginia. New Republic 65:266-68 January 21, 1931. SAM (as part of chapter “I become a protester”).

148. A dead dog. Yale Review 20:554-67 Spring 1931. SAR.

149. Death in the woods. American Mercury 9:7-13 September 1926. DW, PSA. A French translation, “Mort dans les bois,” by Hélène Boussinesq appeared in Europe 15:5-22 September 15, 1927.

150. Delegation. New Yorker 9:36, 38 December 9, 1933.

151. Discovery of a father. Reader’s Digest 35:21-25 November 1939. SAM, SAR.

152. Domestic and juvenile. Vanity Fair 34:35-37 March 1930.

153. The door of the trap. Dial 68:567-76 May 1920. TE.

154. Dreiser. Little Review 3:5 April 1916.

155. Educating an author. Vanity Fair 28:47-48 May 1927.

156. Elizabethton, Tennessee. Nation 128:526-27 May 1, 1929. NGR, PA.

157. An estimate of “Mr. and Mrs. Philip Wase”. Vanity Fair 25:57, 94 November 1925. SAN (entitled “After seeing George Bellows’ Mr. and Mrs. Wase”).

158. Explain! Explain! Again explain! Today 1:3 December 2, 1933.

159. Factory town. New Republic 62:143-44 March 26, 1930.

160. The far West. Vanity Fair 27:39-40, 104 January 1927.

161. The farmer wears clothes. Agricultural Advertising 9:6 February 1902.

162. Feud. American Magazine 119:71, 112-14 February 1935.

163. The fight. Vanity Fair 29:72, 106, 108 October 1927. DW.

164. Five poems (A dreamer; Man walking alone; Half-gods; Ambition; A man standing by a bridge). American Mercury 11:26-27 May 1927. NT.

165. For what? Yale Review 30:750-58 June 1941. SAM (entitled “We little children of the arts”), SAR.

166. Four American impressions. New Republic 32:171-73 October 11, 1922. Concerns Gertrude Stein, Ring Lardner, Paul Rosenfeld, and Sinclair Lewis. SAN. The section on Rosenfeld is reprinted in Paul Rosenfeld, voyager in the arts. New York, Creative Age press, 1948. p.233.

167. From Chicago. Seven Arts 2:41-59 May 1917. (Part II is a reprint of “The novelist”.) MAC, SAN.

168. From little things. This Week February 11, 1940, p.2. HT.

169. The fussy man and the trimmer. Agricultural Advertising 11:79-82 December 1904.

170. Gertrude Stein. American Spectator 2,no.18:3 April 1934. NS.

171. Gertrude Stein’s kitchen. Wings (Literary Guild of America) 7,no.9:12-13, 26 September 1933.

172. A ghost story. Vanity Fair 29:78, 142 December 1927.

173. Girl by the stove. Decision 1:19-22 January 1941. SAM, SAR.

174. Give a child room to grow. Parents’ Magazine 11:17 April 1936.

175. Give Rex Tugwell a chance. Today 4:5, 21 June 8, 1935.

176. The good life at Hedgerow. Esquire 6:51, 198A, 198B, 199 October 1936. PWO (entitled “Jasper Deeter”).

177. A good one. New Republic 85:259 January 8, 1936. A review of Evan Shipman’s Free-for-all.

178. A great factory. Vanity Fair 27:51-52 November 1926.

179. Hands. Masses 8:5, 7 March 1916. WO, SAR, PSA.

180. Hard-boiled. Direction 1,no.4:8-9 April 1938.

181. Hello, big boy. Vanity Fair 26:41-42, 88 July 1926. HT (entitled “Hello towns”).

182. Hello Yank. Saturday Review 132:172-74 August 6, 1921; Living Age 311:173-75 October 15, 1921.

183. Here they come. Esquire 13:80-81 March 1940.

184. His chest of drawers. Household Magazine 39:4-5 August 1939. SAR.

185. How I came to communism: symposium. New Masses 8:8-9 September 1932.

186. I get so I can’t go on. Story 3:55-62 December 1933.

187. I live a dozen lives. American Magazine 128:58 October 1939.

188. I want to know why. Smart Set 60:35-40 November 1919. TE, SAR. A Spanish translation, “Quisiera saber por que,” by Lenka Franulic appears in his Antología del cuento norteamericano. Santiago, Ercilla, 1943. p.109-19.

189. I want to work! Today 1:10-11, 22 April 28, 1934.

190. I was a bad boy. This Week May 18, 1941, p.12, 17. SAM (with revisions).

191. I will not sell my papers. Outlook 150:1286-87 December 5, 1928. HT (revised and entitled “Will you sell your newspapers”).

192. I’m a fool. Dial 72:119-29 February 1922; London Mercury 6:19-27 May 1922 (entitled “I am a fool”). HM, SAR, PSA.

193. An impression of Mexico—its people. Southern Literary Messenger 1:241-42 April 1939.

194. In a boxcar. Vanity Fair 31:76, 114 October 1928.

195. In a strange town. Scribner’s Magazine 87:20-25 January 1930. DW.

196. Italian poet in America. Decision 2:8-15 August 1941.

197. It’s a woman’s age. Scribner’s Magazine 88:613-18 December 1930. PW.

198. J. J. Lankes and his woodcuts. Virginia Quarterly Review 7:18-27 January 1931. NS.

199. Jug of moon. Today 2:6-7, 23 September 15, 1934. SAM.

200. A jury case. American Mercury 12:431-34 December 1927. DW.

201. Just walking. Vanity Fair 30:76, 108 April 1928. HT.

202. A landed proprietor. Rotarian 58:8-10 March 1941.

203. Legacies of Ford Madox Ford. Coronet 8:135-36 August 1940. SAM.

204. Let’s go somewhere. Outlook 151:247, 278, 280 February 13, 1929.

205. Let’s have more criminal syndicalism. New Masses 7:3-6 February 1932.

206. Lift up thine eyes. Nation 130:620-22 May 28, 1930. PW.

207. Lindsay and Masters. New Republic 85:194-95 December 25, 1935. A review of Edgar Lee Masters’ Vachel Lindsay.

208. The line-up. American Spectator 2,no.20:1 June 1934.

209. Listen, Hollywood! Photoplay 52:28-29 March 1938.

210. Listen, Mr. President. Nation 135:191-93 August 31, 1932. SAM. An open letter to Herbert Hoover.

211. Little magazines. Intermountain Review 2,no.2:1 Fall 1937.

212. Little people and big words. Reader’s Digest 39:118-20 September 1941.

213. A living force in literature. Brentano’s Book Chat June 1921, p.17-18. Concerns D. H. Lawrence.

214. Living in America. Nation 120:657-58 June 10, 1925.

215. Look out, brown man! Nation 131:579-80 November 26, 1930.

216. Loom dance. New Republic 62:292-94 April 30, 1930. PW, SAR.

217. The lost novel. Scribner’s Magazine 84:255-58 September 1928. ALN, DW.

218. Machine child-rearing. New York Times November 8, 1931, section IX, p.2. Excerpt from speech during the Bertrand Russell-Sherwood Anderson debate on abolition of the family.

219. Machine song: automobile. Household Magazine 30:3 October 1930. PW, SAR.

220. The magnificent idler. Reader’s Digest 28:88-90 February 1936. Excerpt from A Story Teller’s Story.

221. Making it clear. Agricultural Advertising 24:16 February 1913.

222. The man and the book. Reader 3:71-73 December 1903.

223. The man at the filling station. Vanity Fair 30:53, 88, 90 August 1928.

224. The man in the brown coat. Little Review 7:18-21 January-March 1921. TE, NT.

225. A man’s mind. New Republic 63:22-23 May 21, 1930. A review of D. H. Lawrence’s Assorted Articles. NS.

226. A man’s song of life. Virginia Quarterly Review 9:108-14 January 1933. NS (entitled “Lawrence again”).

227. The man’s story. Dial 75:247-64 September 1923. HM, SAR.

228. Many marriages. Dial 73:361-82, 533-48, 623-44; 74:31-49, 165-82, 256-72 October 1922-March 1923.

229. Maury Maverick in San Antonio. New Republic 102:398-400 March 25, 1940.

230. Meeting Ring Lardner. New Yorker 9:36, 38 November 25, 1933. NS, SAR.

231. A meeting South. Dial 78:269-79 April 1925. SAN, DW, SAR, PSA.

232. Mid-American prayer. Seven Arts 2:190-92 June 1917.

233. Mid-American songs (Song of Stephen the Westerner; American spring song; A visit; Song of the drunken business man; Evening song; Song of industrial America). Poetry 10:281-91 September 1917. MAC.

234. Mill girls. Scribner’s Magazine 91:8-12, 59-64 January 1932. BD, SAR.

235. Mr. Joe’s doctor. American Magazine 118:81-82 August 1934.

236. A moonlight walk. Red Book 70:43-45, 100-04 December 1937. SAR.

237. Mother. Seven Arts 1:452-61 March 1917. WO.

238. Motor trip. American Spectator 2,no.22:9 August 1934.

239. A mountain dance. Vanity Fair 29:59, 110 November 1927. HT.

240. A mountain marriage. Fight Against War and Fascism 3:16-17, 25 October 1936. KB.

241. My fire burns. Survey 47:997-1000 March 25, 1922. SAN (entitled “King coal”).

242. The nationalist. American Spectator 2,no.14:1 December 1933; Fortnightly Review 142:24-29 July 1934; American Spectator Yearbook. New York, Frederick A. Stokes, 1934. p.3-10. PA.

243. Nearer the grass roots. Outlook 148:3-4, 27 January 1928. NGR.

244. A new chance for the men of the hills. Today 1:10-11, 22-23 May 12, 1934. PA, SAR.

245. The New Englander. Dial 70:143-58 February 1921. TE, SAR.

246. The new note. Little Review 1:23 March 1914. Reprinted: Little Review Anthology, p.13-15.

247. New Orleans: a prose poem in the expressionist manner. Vanity Fair 26:36, 97 August 1926.

248. New Orleans, The double dealer and the modern movement in America. Double Dealer 3:119-26 March 1922.

249. New paths for old. Today 1:12-13, 32 April 7, 1934.

250. A new testament. Double Dealer 3:64-67 February 1922. NT (entitled “A thinker”).

251. A new testament (The visit in the morning; Negro on the docks; The ripper; Chicago; Hunger; Death). Vanity Fair 28:75 April 1927. NT.

252. A new testament: The builder. Double Dealer 3:311 June 1922. NT.

253. A new testament: A man speaks out of the new confusion. Playboy 2,no.1:9-11 First quarter 1923.

254. A new testament: Testament one. Little Review 6:3-6 October 1919.

255. A new testament: Testament two. Little Review 6:19-21 November 1919. NT (entitled “The dreamer”; with revisions).

256. A new testament: III. Little Review 6:17-19 December 1919. NT. A portion reprinted under title “Man standing by a bridge,” see item 164; also Literary Digest 93:34 May 21, 1927.

257. A new testament: IV-V Little Review 6:15-17 January 1920. NT (final section of “IV” entitled “In a workingman’s rooming house”; “V” entitled “Word factories”). “V” also appeared in Vanity Fair under title “The word maker,” see item 282.

258. A new testament: VI-IX. Little Review 6:12-16 March 1920. NT. “VI” also appeared under title “Ambition,” see item 164; “VII” appeared in Vanity Fair 28:75 April 1927 under title “Chicago”; “VIII” entitled “Cities” in NT.

259. A new testament: X. Little Review 6:58-60 April 1920.

260. A new testament: XI-XII. Little Review 7:58-61 July-August 1920. NT. Part of “XI” also appeared under title “Man walking alone,” see item 164.

261. A new testament: No. 13. Double Dealer 6:181-82 August-September 1924. NT (entitled “A dreamer”). See also item 164.

262. New tyrants of the land. Today 1:10-11, 20 May 26, 1934. PA (with revisions).

263. New York. Vanity Fair 28:33, 94 July 1927. SAM. A French translation by Marguerite Gay appears in Bibliothèque Universelle et Revue de Genève January 1930, p.46-51.

264. Nice girl. New Yorker 12:15-17 July 25, 1936.

265. No swank. Today 1:4-5, 23-24 November 11, 1933. NS.

266. Nobody’s home. Today 3:6-7, 20-21 March 30, 1935.

267. Northwest unafraid. Today 3:8-9, 22-23 January 12, 1935. PA (entitled “Olsonville”; with revisions).

268. Not knocking. Agricultural Advertising 9:22-23 December 1902.

269. Not sixteen. Tomorrow 5:28-32 March 1946. SAR.

270. A note on realism. New York Evening Post Literary Review October 25, 1924, p.1-2. SAN.

271. A note on story tellers. Vanity Fair 28:42, 82 August 1927. HT.

272. Notes out of a man’s life. Vanity Fair 26:47, 98 March 1926. SAN.

273. The novelist. Little Review 2:12-14 January-February 1916. See also item 167.

274. Off balance. New Yorker 9:12-14 August 5, 1933.

275. Oh, the big words! This Week March 31, 1940, p.2.

276. Ohio: I’ll say we’ve done well. Nation 115:146-48 August 9, 1922. SAN.

277. On being a country editor. Vanity Fair 29:70, 92 February 1928. HT (entitled “Notes for newspaper readers”).

278. On being published. Colophon pt.1:[February 1930, 4p.]. Reprinted: Adler, Elmer, ed. Breaking into print. New York, Simon and Schuster, 1937. p.3-7. Included with the reprint is a letter from Anderson to Elmer Adler, dated December 27, 1936.

279. On conversing with authors. Vanity Fair 28:40, 98 June 1927. HT.

280. The other woman. Little Review 7:37-44 May-June 1920. TE.

281. Out of nowhere into nothing. Dial 71:1-18, 153-69, 325-46 July-September 1921. TE, SAR.

282. Pages from a new testament (Addressed to a woman; The word maker). Vanity Fair 19:57 October 1922. NT (the first as “A persistent lover”; the second as “Word factories”). See also item 257.

283. Pastoral. Red Book 74:38-39, 59 January 1940.

284. Paying for old sins. Nation 139:49-50 July 11, 1934. A review of Carl Carmer’s Stars Fell on Alabama and Langston Hughes’ The Ways of White Folks.

285. The persistent liar. Tomorrow 6:10-12 September 1946.

286. Personal protest. Canadian Forum 17:168-69 August 1937.

287. The philosopher. Little Review 3:7-9 June-July 1916. WO.

288. A plan. Modern Monthly 7:13-16 February 1933. PA (entitled “Please let me explain”). SAR.

289. Pop. New Yorker 9:12 May 27, 1933.

290. Price of aristocracy. Today 1:10-11, 23 March 10, 1934.

300. Prohibition. Vanity Fair 27:68, 96 February 1927.

301. Queer. Seven Arts 1:97-108 December 1916. WO.

302. The rabbit-pen. Harper’s 129:207-19 July 1914.

303. Real-unreal. New Republic 63:103-04 June 11, 1930. A review of Margaret Anderson’s My Thirty Years’ War. NS. Millett (item 696) lists a reprinting in the form of a leaflet with the title “Sherwood Anderson on Margaret Anderson.” No copy located.

304. The return. Century 110:3-14 May 1925. DW, SAR.

305. The right to die: dinner in Thessaly. Forum 95:40-41 January 1936. SAM.

306. A robin’s egg renaissance. Story 19:11-28 September-October 1941.

307. Rot and reason (About country roads; About inquiries; About cleverness; About suspicion; Paragraphs). Agricultural Advertising 10:56-58 November 1903.

308. Rot and reason (Doing stunts; Packingham; Of no value; Chicago inspirations; The stamp as a salesman). Agricultural Advertising 10:12-14 April 1903.

309. Rot and reason (The golden harvest farmer; Golden harvest manufacturers; The golden fake). Agricultural Advertising 10:22-25 August 1903.

310. Rot and reason (The lightweight; The born quitter). Agricultural Advertising 10:18-20 March 1903.

311. Rot and reason (Knock no. 1; Knock no. 2; Boast no. 1). Agricultural Advertising 10:54-57 June 1903.

312. Rot and reason (The new job; The laugh of scorn; The traveling man; Push, push, push; Unfinished contracts). Agricultural Advertising 10:13-16 February 1903.

313. Rot and reason (Office tone; Fun and work; Work in the dark). Agricultural Advertising 10:22-26 July 1903.

314. Rot and reason (The old and the new; A Christmas thought; Men that are wanted). Agricultural Advertising 10:50-51 December 1903.

315. Rot and reason (Twenty years in the West; What Henry George said twenty years ago; Twenty years in figures; Fairs). Agricultural Advertising 10:17-19 October 1903.

316. Rot and reason (Unfinished; Finding our work). Agricultural Advertising 10:20-22 May 1903.

317. The sad horn blowers. Harper’s 146:273-89 February 1923. HM, SAR.

318. The sales master and the selling organization. Agricultural Advertising 12:306-08 April 1905.

319. Samovar. American Spectator 2,no.21:3 July 1934.

320. Seeds. Little Review 5:24-31 July 1918; English Review 34:13-20 January 1922. TE.

321. Senility. Little Review 5:37-39 September 1918. TE.

322. A sentimental journey. Vanity Fair 29:46, 118 January 1928. HT, DW, SAR.

323. Sherwood Anderson goes home. Today 3:6-7, 23 December 8, 1934. PA (entitled “Night in a corn town”; with revisions).

324. Sherwood Anderson to Theodore Dreiser. American Spectator 1,no.8:1 June 1933.

325. Sister. Little Review 2:3-4 December 1915.

326. Sit-downers stick: opinions. Literary Digest 123:8 February 13, 1937. A brief statement regarding sit-down strikes.

327. The situation in American writing: seven questions (Part II). Partisan Review 6,no.5:103-05 Fall 1939.

328. A small boy looks at his world. Woman’s Home Companion 53:19-20, 42, 45 July 1926. Tar (with revisions).

329. Small town notes. Vanity Fair 30:58, 120 June 1928; 32:72, 106 April 1929; 32:48, 110 July 1929 (reprinted: London Mercury 20:473-76 September 1929, under title “Small town notes: ashamed”); 33:72, 110, 114 September 1929.

330. So you want to be a writer? Saturday Review of Literature 21:13-14 December 9, 1939; condensation in Reader’s Digest 36:109-11 January 1940.

331. “Sold!” To the tobacco company. Globe 2:30-35 July 1938; condensation in Youth Today 2:28-30 September 1939 under title “Sold.”

332. A soliloquy. Agricultural Advertising 9:25 April 1902. (Signed “Anderson”)

333. The South. Vanity Fair 27:49-50, 138 September 1926. HT.

334. Statements of belief II; further credos of America’s leading authors. Bookman (N.Y.) 68:204 October 1928. Reprinted (without title) in Herrmann, Eva. On parade, caricatures ... edited by Erich Posselt, contributions by prominent authors. New York, Coward-McCann, 1929. p.10.

335. Stewart’s on the square. New Yorker 10:77-80 June 9, 1934.

336. Stolen day. This Week April 27, 1941, p.6, 23.

337. The story-teller’s job. Book Buyer ser.4,v.2,no.8:8 December 1936.

338. A story-teller’s story. Phantasmus 1:1-37, 109-64 May-June 1924. SS.

339. The story writers. Smart Set 48:243-48 January 1916.

340. The strength of God. Masses 8:12-13 August 1916. WO.

341. The struggle. Little Review 3:7-10 May 1916. Reprinted: Little Review Anthology, p.55-59. TE (entitled “War”).

342. Tar Moorhead’s father. Woman’s Home Companion 53:19-20, 154-55 June 1926. Tar (with revisions).

343. Tar’s day of bravery. Woman’s Home Companion 53:25-26, 184-85 October 1926. Tar (with revisions).

344. Tar’s wonderful Sunday. Woman’s Home Companion 53:29-30, 50 November 1926. Tar (with revisions).

345. Testament (containing songs of one who would be a priest); song number two. Double Dealer 7:59-60 November-December 1924. NT (entitled “Song number two”).

346. Testament: one puzzled concerning himself. Double Dealer 7:100 January-February 1925. NT.

347. Testament: song number one. Double Dealer 7:15-16 October 1924. NT.

348. Testament of two glad men. Double Dealer 3:203-05 April 1922. NT.

349. These mountaineers. Vanity Fair 33:44-45, 94 January 1930. DW.

350. They come bearing gifts. American Mercury 21:129-37 October 1930.

351. They got this one. Book Buyer n.s.1,no.4:10-11 June 1935. Excerpt from Puzzled America.

352. The thinker. Seven Arts 2:584-97 September 1917. WO.

353. To remember. American Spectator 1,no.7:1 May 1933. Reprinted: American Spectator Yearbook. New York, Frederick A. Stokes, 1934. p.172-74.

354. Tom Grey could so easily lead them. Today 1:8-9, 23 March 24, 1934. PA (entitled “A union meeting”; with revisions).

355. Tough babes in the woods. Today 1:6-7, 22 February 10, 1934. PA, SAR.

356. The triumph of a modern. New Republic 33:245-47 January 31, 1923. HM.

357. The triumph of the egg. Dial 68:295-304 March 1920. TE, SAR, PSA (entitled “The egg”). “L’Oeuf,” a French translation by Bernard Fay, appears in Revue Européenne 2:1-13 September 1923; a Spanish translation, “La victoria del huevo,” is in John Peale Bishop’s Antología de escritores contemporáneos de los Estados Unidos. Santiago, Chile, Nascimento, 1944. v.1., p.262-76.

358. Two lovers. Story 14:16-25 January-February 1939.

359. Unlighted lamps. Smart Set 65:45-55 July 1921. TE, SAR.

360. The untold lie. Seven Arts 1:215-21 January 1917. WO, SAR.

361. V. F. Calverton. Modern Quarterly 11,no.7:41 Fall 1940.

362. Valley apart. Today 3:6-7, 22-23 April 20, 1935.

363. Vibrant life. Little Review 3:10-11 March 1916.

364. Village wassail. Today 3:8-9, 20 January 26, 1935. PA.

365. Virginia. Vanity Fair 32:66, 74 August 1929. SAM.

366. Virginia justice. Today 2:6-7, 24 July 21, 1934. SAR (entitled “Justice”).

367. War of the winds. Today 3:8-9, 20 February 23, 1935. PA (entitled “Revolt in South Dakota”; with revisions).

368. We are all small-towners. This Week June 16, 1940, p.2. HT.

369. We would be wise: talking it out. Agricultural Advertising 10:45-47 January 1903.

370. What makes a boy afraid. Woman’s Home Companion 54:19-20, 96 January 1927. Tar (with revisions).

371. When America goes to war: a symposium. Modern Monthly 9:201 June 1935.

372. When are authors insulted? Bookman (N.Y.) 75:564 October 1932. Letter to the editor signed by Sherwood Anderson, Waldo Frank, James Rorty, William Jones, Elliot E. Cohen (National Committee for the Defense of Political Prisoners).

373. When I left business for literature. Century 108:489-96 August 1924. SS.

374. When the writer talks. New York Evening Post Literary Review April 18, 1925, p.1-2. SAN.

375. When we care. Twice a Year 10/11:238-44 Spring-Summer/Fall-Winter 1943. SAR.

376. The white streak. Smart Set 55:27-30 July 1918.

377. Whither the American writer (a questionnaire). Modern Quarterly 6,no.2:12 Summer 1932.

378. Why I live where I live. Golden Book 16:398-400 November 1932. SAM.

379. Why I write. Writer 49:363-64 December 1936.

380. Why men write. Story 8:2, 4, 103, 105 January 1936.

381. Why there must be a Midwestern literature. Vanity Fair 16:23-24 March 1921. HM, SAR (entitled “Milk bottles”).

382. Why they got married. Vanity Fair 32:74, 116 March 1929. DW.

383. Winter day’s walk in New York. American Spectator 2,no.15:3 January 1934.

384. A word of advice. Literary Workshop 1,no.2:43 1934.

385. Worlds of fancy and of facts. Woman’s Home Companion 53:27-28, 79 September 1926. Tar (with revisions).

386. A writer’s conception of realism. Writer 54:3-6 January 1941. SAR; see also item 60.

387. A writer’s notes. New Masses 8:10 August 1932. SAM (as part of the chapter “I become a protester”).

388. Writing it down. Agricultural Advertising 9:46 November 1902.

389. The yellow gown. Mademoiselle 15:94-95, 154-57 September 1942. SAR.

390. Young man from West Virginia. Today 3:5, 23-24 December 1, 1934. PA (entitled “They elected him”).

Serial Publications Edited by Anderson

391. American Spectator. New York, N.Y. December 1933-March 1935. (Anderson was one of six editors, the others being George Jean Nathan, Ernest Boyd, James Branch Cabell, Eugene O’Neill, and Theodore Dreiser.)

392. Commercial Democracy. [Elyria, Ohio. 1909?-1910?] No file located.

393. Marion Democrat. Marion, Virginia. November 1927-1929.

394. Smyth County News. Marion, Virginia. November 1927-1929.

Contributions to the Smyth County News

EDITORS’ NOTE: With the issue of November 3, 1927, Sherwood Anderson assumed the editorship of the Smyth County News. He continued to edit this and its companion weekly, the Marion Democrat, for more than two years, and it is generally acknowledged that during much of that period Anderson contributed an appreciable percentage of the articles published in both newspapers. Files of both papers are, unfortunately, exceedingly rare. The citations in this section have been drawn from the Newberry Library’s microfilm of the Smyth County News covering the period November 3, 1927, through December 26, 1929. We have been unable to examine a file of the Marion Democrat.

The list which follows makes no attempt to include all of Anderson’s contributions to the Smyth County News. Rather, it is meant to give some indication of the type and variety of materials Anderson chose to publish along with the weekly accounts of local news. We have included only those articles signed with Anderson’s name or in his capacity as “Editor” (i.e., unsigned editorials are largely excluded), and reprintings of Anderson’s own stories and articles (often unsigned). Articles signed with the pseudonym “Buck Fever” are separately listed. The numerous anonymous and pseudonymous articles (e.g., letters from “Hannah Stoots” and various Coon Hollow folks) contributing to the Buck Fever fiction, though undoubtedly written by Anderson, have been omitted.

395. Alice. May 2, 1929, p.2.

396. The black hole of Marion. April 12, 1928, p.8. (Unsigned) HT.

397. Brothers. September 27, 1928, p.1-2. (Unsigned; reprinted from TE)

398. Cattle rustler picked up near Marion. December 22, 1927, p.1. (Unsigned) HT.

399. A criminal’s Christmas. December 6, 1928, p.1, 5. (Unsigned) HT.

400. Editorial statement. July 19, 1928, p.1.

401. A garden masterpiece. June 7, 1928, p.2. (Unsigned, but includes references to the writing of Poor White)

402. Glade Spring claims it’s the grass. May 10, 1928, p.3. (Signed “The Editor”).

403. Hands. January 17, 1929, p.5, 8. Reprinted from WO.

404. In a box car. October 25, 1929, p.7. (Unsigned)

405. In gratitude. December 22, 1927, p.4. (An unsigned Christmas editorial)

406. In New York. November 29, 1928, p.1. HT.

407. In Washington. February 9, 1928, p.1, 3. HT, PSA.

408. The life of a country editor. February 16, 1928, p.1, 5. Reprinted from Vanity Fair.

409. The lost novel. September 20, 1928, p.5. (Unsigned; reprinted from Scribner’s Magazine)

410. A man of ideas. January 19, 1927, p.6-7. Reprinted from WO.

411. Milk bottles. January 10, 1929, p.2, 7. Reprinted from HM.

412. Nellie is dead; the print shop cat passes away. January 12, 1928, p.6. (Unsigned) HT.

413. The newspaper and the modern age. August 15, 1929, p.1, 4, 10. A speech made at the Institute of Public Affairs, University of Virginia, August 12, 1929.

414. Our new editor’s bow. November 3, 1927, p.1.

415. Print shop to have picture of Thomas Jefferson presented by Governor Byrd. August 30, 1928, p.1. (Signed “The Editor”)

416. A sentimental journey. June 21, 1928, p.5. Reprinted from Vanity Fair.

417. Soliloquy. January 31, 1929, p.3. Reprinted from Vanity Fair.

418. Sophistication. August 30, 1928, p.1, 3. Reprinted from WO.

419. The sophistication. May 23, 1929. p.1, 4.

420. That subscription. September 13, 1928, p.1. (Signed “The Editor”)

421. Tom Greer. March 8, 1928, p.4. (Unsigned) HT.

422. A traveler’s notes. February 7, 1929, p.1; February 14, 1929, p.1, 5; March 28, 1929, p.1, 5. (The April 4, 1929 “What Say” column continued this series.)

423. A traveler’s notes: Elizabethton. April 18, 1929, p.1, 8.

424. The untold lie. December 27, 1928, p.7. Reprinted from WO.

425. War. November 24, 1927, p.5. Reprinted from TE.

426. What is happening. April 5, 1928, p.6. (Signed “The Editor”)

427. What say! (This column first appeared, unsigned, in the issue of November 3, 1927, p.8, and was a weekly feature throughout Anderson’s term of editorship. With the issue of November 10, 1927, a standard heading incorporating Anderson’s picture was adopted, and in the November 17, 1927, issue notice of copyright appeared with the column. Poems, sketches, and letters by other writers were often included along with Anderson’s own pieces, and on a few occasions the entire column was given over to the work of others.)

428. Why they got married. March 28, 1929, p.1, 4; April 4, 1929, p.2. Reprinted from Vanity Fair.

429. Will you sell your news papers. November 8, 1928, p.2. (Unsigned)

430. The writer’s trade. January 3, 1929, p.4, 8. Reprinted from Vanity Fair. HT.

Articles Signed “Buck Fever”

431. Alas, poor Nellie. December 29, 1927, p.6. HT.

432. The big June. June 14, 1928, p.1.

433. Boss back. January 17, 1929, p.1.

434. Buck Fever comments. January 26, 1928, p.8.

435. Buck Fever says. (This column first appeared in the issue for December 8, 1927; next appeared December 29, 1927; and was not repeated until February 2, 1928. In the February 9, 1928, issue the column carried the line drawing of Buck by Wharton Esherick which thereafter distinguished it. Usually a front-page feature, the column appeared almost weekly from February through August, 1928; thereafter it appeared irregularly on an average of twice a month, the last appearance being in the issue for December 19, 1929. The column served primarily as an outlet for Buck’s opinions and his accounts of the fictional happenings up Coon Hollow way; Buck’s reports on actual local events usually took the form of a news story with his by-line.)

436. Chilhowie officers tree the coon. May 31, 1928, p.2.

437. Come and dance. July 19, 1928, p.1.

438. The council. August 30, 1928, p.1.

439. Deep sea club on cruise. October 25, 1928, p.3.

440. Don’t you dare call it a scrap. December 29, 1927, p.5.

441. Fine hunting weather. November 17, 1927, p.1. HT.

442. [Henry Mencken Park] March 8, 1928, p.8.

443. Henry Staley plunges into history. January 17, 1929, p.1.

444. Husband’s day in court. June 28, 1928, p.2.

445. In Coon Hollow. July 26, 1928, p.2.

446. In darkest Marion. November 17, 1927, p.1.

447. It may be the bunk. February 2, 1928, p.5.

448. Kiwanis club. January 26, 1928, p.1; February 2, 1928, p.1; February 9, 1928, p.1; April 5, 1928, p.1; April 26, 1928, p.1; May 31, 1928, p.1; June 27, 1929, p.1; December 6, 1928, p.1.

449. Kiwanis show turns out the town. March 8, 1928. p.1.

450. Look out snakes. December 15, 1927, p.1.

451. Marion High wins first game of season. April 5, 1928, p.1.

452. Marion sports have big night. January 19, 1928, p.2.

453. Mayor bags ’em. November 24, 1927, p.1.

454. The melancholy maid. June 6, 1929, p.8.

455. Mrs. Jimmy Dutton. August 30, 1928, p.6. HT.

456. Odd fellows have fine feast. January 26, 1928, p.4.

457. On the rialto. October 25, 1928, p.1; December 27, 1928, p.2; January 31, 1929, p.1.

458. On the rialto; conversation with Uncle Steve Groseclose. April 25, 1929, p.1.

459. On the rialto—rain. October 11, 1928, p.7.

460. One day court. May 31, 1928, p.2.

461. 100 to 15 or 7 to 1. December 27, 1928, p.5.

462. Over the top. January 19, 1928, p.1.

463. Progress. June 20, 1929, p.1.

464. A question. July 26, 1928, p.2.

465. Rotarians to back Bud’s band. December 13, 1928, p.1.

466. Saltville boys have big night. April 12, 1928, p.2.

467. Sam’s Bible. May 31, 1928, p.3.

468. Scandal in Kiwanis club. June 28, 1928, p.1.

469. The school teachers. September 13, 1928, p.2.

470. Them Andersons. November 15, 1928, p.4.

471. They came. They saw. They conquered. March 8, 1928, p.1.

472. They left there; the gun did it. December 13, 1928, p.2.

473. They liked it. October 11, 1928, p.4.

474. Three McCormack sisters. January 19, 1928, p.1.

475. To Mrs. P. B. Y. July 12, 1928, p.5.

476. Town council. February 9, 1928, p.6.

477. Try this on your piano. December 1, 1927, p.1.

478. Wanted his wife. January 26, 1928, p.1. HT.

479. Well well and oh oh. January 3, 1929, p.1.

480. What about it Ed? June 14, 1928, p.1.

481. What is a good steak? March 1, 1928, p.3.

482. What the boys in jail had for Christmas dinner. December 29, 1927, p.7.

PART II
WRITINGS ABOUT SHERWOOD ANDERSON

Books, Parts of Books, and Periodical Articles

483. Aaron, Manley. “American first editions ... Sherwood Anderson,” Publishers’ Weekly 103:251 January 27, 1923.

484. “Abolition of family debated by authors [Bertrand Russell and Sherwood Anderson],” New York Times November 2, 1931, p.21.

485. Adams, James Donald. The shape of books to come. New York, Viking, 1944. p.69-73.

486. Adams, Mildred. “A small-town editor airs his mind,” New York Times Magazine September 22, 1929, p.6, 20.

487. Aiken, Conrad Potter. “Anderson, Sherwood,” in his A reviewer’s ABC. New York, Meridian Books [1958] p.130-32.

488. Alexander, David C. “Sherwood Anderson,” Letters 2:23-29 February 1928.

489. Almy, Robert F. “Sherwood Anderson: the non-conforming rediscoverer,” Saturday Review of Literature 28:17-18 January 6, 1945.

490. “An American book in British courts [Many Marriages],” Literary Digest 79:30 November 24, 1923.

491. Anderson, Karl James. “My brother, Sherwood Anderson,” Saturday Review of Literature 31:6-7, 26-27 September 4, 1948. Reprinted: Saturday Review treasury. New York, Simon and Schuster, 1957. p.325-32.

492. Anderson, Margaret. My thirty years’ war. New York, Covici, Friede, 1930. p.38-39 and passim.

493. “Anderson decries our ‘speakeasy’ era,” New York Times December 7, 1931, p.24. (Includes excerpts from speech at a New York City mass meeting, with some remarks on Dreiser.)

494. “Anderson letters given to Newberry Library of Chicago,” Hobbies 53:147 April 1948.

495. Arvin, Newton. “Mr. Anderson’s new stories,” Freeman 8:307-08 December 5, 1923. Reprinted: The Freeman book, typical editorials, essays, critiques, and other selections from the eight volumes of the Freeman, 1920-1924. New York, Huebsch, 1924. p.359-62. Concerns Horses and Men.

496. Ashley, Schuyler. “Dark laughter,” in his Essay reviews. Kansas City, Lowell press, 1929. p.112-14.

497. ⸺. “Tar,” in his Essay reviews. Kansas City, Lowell press, 1929. p.163-65.

498. Asselineau, Roger. “Réalisme, rêve et expressionnisme dans Winesburg, Ohio,” Archives des Lettres Modernes no.2:1-32 April 1957.

499. Baldwin, Charles Crittenton. “Sherwood Anderson,” in his Men who make our novels. Rev.ed. New York, Dodd, Mead, 1924. p.26-33.

500. Barker, Russell H. “The storyteller role,” College English 3:433-42 February 1942.

501. Beach, Joseph Warren. “Auguries,” in his The Outlook for American prose. Chicago, University of Chicago press [1926] p.199-280. Concerns A Story Teller’s Story.

502. Beach, Sylvia. Shakespeare and company. New York, Harcourt, Brace, 1959. p.30-32 and passim.

503. Benét, William Rose. “A story teller’s story, by Sherwood Anderson,” in Saturday Review. Designed for reading; an anthology. New York, Macmillan, 1934. p.293-97.

504. Berg, Ruben Gustafsson. “Sherwood Anderson,” in his Moderna Amerikaner. Stockholm, Hugo Gebers förlag [1925] p.113-25.

505. Berland, Alwyn. “Sherwood Anderson and the pathetic grotesque,” Western Review 15,no.2:135-38 Winter 1951.

506. Berti, Luigi. “Ulissismo di Sherwood Anderson,” in his Boccaporto. Firenze, Parenti, 1940. p.133-40.

507. Birney, Earle. “Sherwood Anderson: a memory,” Canadian Forum 21:82-83 June 1941.

508. Bishop, John Peale. Antología de escritores contemporáneos de los Estados Unidos Santiago, Chile, Nascimento, 1944. v.1, p.262. (Includes a Spanish translation of “The triumph of the egg,” p.262-76.)

509. ⸺. “This distrust of ideas (D. H. Lawrence and Sherwood Anderson),” Vanity Fair 22:10-12, 118 December 1921. Reprinted in his Collected essays. New York, Scribner’s, 1948. p.233-40.

510. Bland, Winifred. “Through a college window,” Story 19:82-86 September-October 1941. Concerns Death in the Woods.

511. Blankenship, Russell. American literature as an expression of the national mind. New York, Holt [1935] p.665-72.

512. Bodenheim, Maxwell. “The pagan meditates,” Oracle 2,no.2:12-13, 22-23 July 1926.

513. ⸺. “Psychoanalysis and American fiction,” Nation 114:683-84 June 7, 1922.

514. Boyd, James. “A man in town,” Story 19:88-91 September-October 1941.

515. Boynton, Percy Holmes. “Sherwood Anderson,” North American Review 224:140-50 March-May 1927. Reprinted in his America in contemporary fiction. Chicago, University of Chicago press [1940] p.113-30; in his More contemporary Americans. Chicago, University of Chicago press [c1927] p.157-77.

516. Braak, Menno ter. “Twee methoden (Realisme en romantiek. Theodore Dreiser en Sherwood Anderson, met lijst van Amerikaansche schrijvers en tijdschriften),” Vrije Bladen 6:97-110 April 1929. Concerns Dark Laughter.

517. Brinnin, Malcolm. The third rose. Boston, Little, Brown [1959] p.235-38 and passim.

518. Brooks, Cleanth and Warren, Robert Penn. “I want to know why. Interpretation,” in their Understanding fiction. New York, Crofts, 1943 p.344-50.

519. Brooks, Van Wyck. The confident years: 1885-1915. New York, Dutton, 1952. passim.

520. ⸺. [Introductory note to] “Letters to Van Wyck Brooks,” Story 19:42-62 September-October 1941.

521. Brossard, Chandler. “Sherwood Anderson: a sweet singer, ‘a smooth son of a bitch’,” American Mercury 72:611-16 May 1951.

522. Brown, John. Panorama de la littérature contemporaine aux États-Unis; introductions, illustrations, documents. [Paris, G. Lang, 1954] p.89-92 and passim. (Includes Marguerite Gay’s translation, “Boulettes de papier,” from Winesburg, Ohio, p.337-39.)

523. Bruno, Francesco. “Il mondo di Anderson,” La Fiera Letteraria February 20, 1955, p.5-6.

524. Bruns, Friedrich. “Sherwood Anderson,” in his Die amerikanische Dichtung der Gegenwart. Leipzig, Berlin, Teubner, 1930. p.34-40.

525. Buchanan, Annabel Morris. “Sherwood Anderson: country editor,” World Today (London) 53:249-53 February 1929.

526. Budd, Louis J. “The grotesques of Anderson and Wolfe,” Modern Fiction Studies 5:304-10 Winter 1959-60.

527. Burrow, Trigant. “Psychoanalytic improvisations and the personal equation,” Psychoanalytic Review 13:173-86 April 1926.

528. Calverton, Victor Francis. The liberation of American literature. New York, Scribner’s, 1932. p.425-30 and passim.

529. ⸺. “Sherwood Anderson; a study in sociological criticism,” Modern Quarterly 2,no.2:82-118 Fall 1924. Reprinted in his The newer spirit. New York, Boni and Liveright, 1925. p.52-118.

530. Canby, Henry Seidel. “Sherwood Anderson,” Saturday Review of Literature 23:10 March 22, 1941.

531. ⸺. “Sherwood Anderson’s ‘Many Marriages’,” in his Definitions (Second series). New York, Harcourt [1924] p.242-48. Also in Piercy, Josephine Ketcham, ed. Modern writers at work. New York, Macmillan, 1930. p.155-64.

532. Cargill, Oscar. “The primitivists,” in his Intellectual America. New York, Macmillan, 1941. p.311-98.

533. Carr, Edward Francis. Sherwood Anderson, champion of women. Unpublished M.A. thesis, University of Pittsburgh, 1946. 66p.

534. Carson, Saul. “In reply to Sherwood Anderson,” Modern Monthly 7:347, 351 July 1933.

535. Chapman, Arnold. “Sherwood Anderson and Eduardo Mallea,” Modern Language Association of America. Publications 69:34-45 March 1954.

536. Chase, Cleveland Bruce. “Sherwood Anderson,” Saturday Review of Literature 4:129-30 September 24, 1927.

537. ⸺. Sherwood Anderson. New York, R. M. McBride, 1927. 84p. (Modern American writers. VII)

538. Cleaton, Irene and Cleaton, Allen. Books and battles: American literature, 1920-1930. Boston, Houghton, Mifflin, 1937. p.179-83.

539. Collins, Joseph. “The doctor looks at biography,” Bookman (N.Y.) 61:24-28 March 1925. Reprinted in his The doctor looks at biography, psychological studies of life and letters. New York, Doran [c1925]. p.63-68. Concerns A Story Teller’s Story.

540. ⸺. “Sophism and Mr. Sherwood Anderson,” in his Taking the literary pulse. New York, Doran [1924] p.29-47.

541. Coster, Dirk. “Amerikaansche letterkunde: Willa Cather. Edith Wharton. Parrish. Sherwood Anderson,” Stem 8:894-99 December 1928.

542. Cowley, Malcolm. “Anderson’s lost days of innocence,” New Republic 142:16-18 February 15, 1960.

543. Crane, Hart. “Sherwood Anderson,” Double Dealer 2:42-45 July 1921.

544. Crawford, Nelson Antrim. “Sherwood Anderson, the wistfully faithful,” Midland 8:297-308 November 1922.

545. “Dark and lonely,” Time 37:98 April 7, 1941.

546. Daugherty, George H. “Anderson, advertising man,” Newberry Library Bulletin ser.2,no.2:30-43 December 1948.

547. Davenport, Kenneth. Sherwood Anderson: an appreciation of his life and fiction. Unpublished M.A. thesis, Fort Hays Kansas State College, 1937. 55p.

548. De Dominicis, Anna Maria. “Lettere di Sherwood Anderson,” Letterature Moderne 6:711-20 November-December 1956.

549. Dell, Floyd. Homecoming. New York, Farrar and Rinehart [1933] p.236-37 and passim.

550. ⸺. “Sherwood Anderson, his first novel,” in his Looking at life. New York, Knopf, 1924. p.79-84.

551. Dickinson, L. R. “Smyth county items,” Outlook 148:581-83 April 11, 1928.

552. Dinsmoor, Mary Helen. An inquiry into the life of Sherwood Anderson as reflected in his literary works. Unpublished M.A. thesis, Ohio University, Athens, 1939. 60 p. (Abstract in Ohio. University. Athens. Abstracts of masters’ theses. 1939-40. p-14)

553. Dreiser, Theodore. Letters of Theodore Dreiser: a selection. Ed. by Robert H. Elias. Philadelphia, University of Pennsylvania press [1959] 3 vols. passim. (Includes letters to and from Anderson)

554. ⸺. “Sherwood Anderson,” Story 19:4 September-October 1941.

555. Duffey, Bernard. “The struggle for affirmation—Anderson, Sandburg, Lindsay,” in his The Chicago renaissance in American letters. [Lansing] Michigan State College press, 1954. p.194-209.

556. “Editorial,” American Spectator 2,no.14:1 December 1933.

557. Edgar, Pelham. “Four American writers: Anderson, Hemingway, Dos Passos, Faulkner,” in his The art of the novel. New York, Macmillan, 1933. p.338-51.

558. Eschelmüller, Valerie. Sherwood Anderson. Versuch einer kritischen Betrachtung seines Prosawerkes. Unpublished Ph.D. dissertation, Universität Wien, 1955. 148p.

559. “An exponent of the new psychology,” Literary Digest 73:33 April 1, 1922. Concerns Rebecca West’s article in New Statesman, item 793.

560. Fadiman, Clifton. “Sherwood Anderson: the search for salvation,” Nation 135:454-56 November 9, 1932.

561. Fagin, Nathan Bryllion. The phenomenon of Sherwood Anderson; a study in American life and letters. Baltimore, Rossi-Bryn, 1927. 156p.

562. ⸺. “Sherwood Anderson,” South Atlantic Quarterly 43:256-62 July 1944.

563. ⸺. “Sherwood Anderson, the liberator of our short story,” English Journal 16:271-79 April 1927.

564. ⸺. “Sherwood Anderson and our anthropological age,” Double Dealer 7:91-99 January-February 1925.

565. Farrell, James Thomas. “A memoir on Sherwood Anderson,” Perspective 7:83-88 Summer 1954. Reprinted in his Reflections at fifty. New York, Vanguard, 1954. p.164-68 (under title “A note on Sherwood Anderson”).

566. Faulkner, William. “Prophets of the new age: Sherwood Anderson,” Dallas Morning News April 26, 1925, section III, p.7. Reprinted: Princeton University Library Chronicle 18:89-94 1957.

567. ⸺. “Sherwood Anderson. An appreciation,” Atlantic 191:27-29 June 1953.

568. Fay, Bernard. “Sherwood Anderson,” in Llona, Victor, ed. Les romanciers américains, Paris, Denoël [1931] p.7-14. (Also includes Fay’s translation, “L’Oeuf,” p.15-36)

569. ⸺. “Portrait de Sherwood Anderson: américain,” Revue de Paris année 41, tome 5:886-901 October 15, 1934.

570. ⸺. “Sherwood Anderson,” Vie de Peuples 7:920-26 August 10, 1922.

571. Feldman, Eugene. The isolation of the individual as seen by Sherwood Anderson. Unpublished M.A. thesis, Columbia University, 1947. 46p.

572. ⸺. “Sherwood Anderson’s search,” Psychoanalysis 3,no.3:44-51 1955.

573. Fenton, Charles A. The apprenticeship of Ernest Hemingway. New York, Farrar, Straus and Young [1954] p.116-20, 145-50 and passim.

574. Ferres, John Howard. The right place and the right people: Sherwood Anderson’s search for salvation. Ph.D. dissertation, Louisiana State, 1959. University Microfilms publication #59-1531. (Abstract in Dissertation Abstracts 19:3302-03 1959)

575. Flanagan, John T. “Hemingway’s debt to Sherwood Anderson,” Journal of English and Germanic Philology 54:507-20 October 1955. Reprinted: Illinois. University. Department of English. Studies by members of the English Department, in memory of John Jay Parry. Urbana, University of Illinois, 1955. p.47-60.

576. ⸺. “The permanence of Sherwood Anderson,” Southwest Review 35:170-77 Summer 1950.

577. Fontanet, Georges. “Quelques thèmes essentiels de Sherwood Anderson,” in Romanciers américains contemporains. Paris, Didier [1946?] (Cahiers des langues modernes, 1) p.87-113.

578. Forer, Valeria. “A note on Sherwood Anderson,” Shenandoah 2:8-9 Summer 1951.

579. Frank, Waldo. “Emerging greatness,” Seven Arts 1:73-78 November 1916. Reprinted in his Salvos, an informal book about books and plays. New York, Boni and Liveright [c1924] p.31-40.

580. ⸺. Our America. New York, Boni and Liveright [1920] p.136-44. (English edition [1922] entitled The new America)

581. ⸺. “Sherwood Anderson,” in his In the American jungle (1925-1936). New York, Farrar and Rinehart [1937] p.93-96.

582. ⸺. “Winesburg, Ohio after twenty years,” Story 19:29-33 September-October 1941.

583. Franulic, Lenka. “Dreiser, Anderson y la escuela naturalista,” in his Antología del cuento norteamericano. Santiago, Ercilla, 1943. p.xxv-xxviii. (Includes Spanish translation of “I want to know why,” p.109-19)

584. Friend, Julius W. “The philosophy of Sherwood Anderson,” Story 19:37-41 September-October 1941.

585. Galantière, Lewis. “French reminiscence,” Story 19:64-67 September-October 1941.

586. Garnett, Edward. “A note on two American novelists: Joseph Hergesheimer and Sherwood Anderson,” in his Friday nights. London, Cape; New York, Knopf, 1922. p.335-46.

587. Geismar, Maxwell David. “Anderson’s Winesburg,” New York Times Book Review July 18, 1943, p.4.

588. ⸺. “Sherwood Anderson: last of the townsmen,” in his The last of the provincials. Cambridge, Houghton Mifflin, 1947. p.223-84.

589. Gelfant, Blanche Housman. “Sherwood Anderson, Edith Wharton, and Thomas Wolfe,” in her The American city novel. Norman, University of Oklahoma press [1954] p.95-132.

590. Gerould, Katharine F. “Stream of consciousness,” Saturday Review of Literature 4:233-35 October 22, 1927.

591. Gold, Herbert. “Winesburg, Ohio: the purity and cunning of Sherwood Anderson,” Hudson Review 10:548-57 Winter 1957-58. Reprinted: Shapiro, Charles, ed. Twelve original essays on great American novels. Detroit, Wayne State University press, 1958. p.196-209.

592. “The gossip shop,” Bookman (N.Y.) 55:90-91 March 1922.

593. Gozzi, Raymond Dante. “A bibliography of Sherwood Anderson’s contributions to periodicals, 1914-1946,” Newberry Library Bulletin ser.2, no.2:71-82 December 1948.

594. ⸺. A descriptive bibliography of Sherwood Anderson’s contributions to periodicals. Unpublished M.A. thesis, Columbia University, 1947. 213p.

595. Grana, Gianni. “La rinàscita del naturalismo in America: Anderson e Dreiser,” La Fiera Letteraria January 15, 1956, p.4.

596. Green, Paul and Green, Elizabeth L. Contemporary American literature, a study of fourteen outstanding American writers ... Chapel Hill, University of North Carolina press [c1925] p.27-29. A study outline.

597. Gregory, Alyse. “Sherwood Anderson,” Dial 75:243-46 September 1923.

598. Grillo, Giuseppe. “Ingenuità e vizio in Sherwood Anderson,” Idea; settimanale di cultura 6,no.16:3-4 April 18, 1954.

599. Gronna, Anne T. M. An analysis of two stories by Sherwood Anderson. Unpublished M.A. thesis, State University of Iowa, 1949. 66p.

600. Guido, Augusto. “Cavalli da corsa e vomini dell’ Ohio,” La Fiera Letteraria October 23, 1949, p.5.

601. Hackett, Francis. “A new novelist,” in his Horizons. New York, Huebsch, 1918. p.50-56. Concerns Windy MacPherson’s Son.

602. ⸺. “To American workingmen,” in his Horizons. New York, Huebsch, 1918, p.57-61. Concerns Marching Men.

603. Halleck, Reuben Post. “Sherwood Anderson,” in his The romance of American literature. New York, Cincinnati, American Book Co. [1934] p.328-31.

604. Hansen, Harry. “Anderson in Chicago,” Story 19:34-36 September-October 1941.

605. ⸺. “Sherwood Anderson: corn-fed mystic, historian of the middle age of man,” in his Midwest portraits. New York, Harcourt [1923] p.109-79.

606. Hart, Robert Charles. Writers on writing: the opinions of six modern American novelists on the craft of fiction. Ph.D. dissertation, Northwestern University, 1954. 489p. University Microfilms publication #9241. (Abstract in Dissertation Abstracts 14:1720-21 1954)

607. Hartley, Marsden. “Spring, 1941,” Story 19:97-98 September-October 1941.

608. Hartwick, Harry. “Broken face gargoyles,” in his The foreground of American fiction. New York, Cincinnati, American Book Co. [1934] p.111-50.

609. Hatcher, Harlan Henthorne. “Sherwood Anderson,” in his Creating the American novel. New York, Farrar and Rinehart, 1935. p.155-71.

610. Haught, Viva Elizabeth. The influence of Walt Whitman on Sherwood Anderson and Carl Sandburg. Unpublished M.A. thesis, Duke University, 1936. 147p.

611. Havighurst, Walter. Masters of the modern short story. New York, Harcourt, 1955. p.xii-xiii. Concerns “Brother death.”

612. Hazard, Lucy Lockwood. The frontier in American literature. New York, Crowell [1927] p.290-98.

613. “Heading for matriarchy,” New York Times November 23, 1931, p.18. Editorial concerning the “no women’s clubs” clause in Anderson’s contracts.

614. Hecht, Ben. A child of the century. [New York] Simon and Schuster, 1954. p.225-32.

615. ⸺. “Go scholar—gypsy!” Story 19:92-93 September-October 1941.

616. Hellesnes, Nils. “Sherwood Anderson, den einsame Amerikanaren,” Syn og Seyn 53:433-39 November 1947.

617. Hepburn, James G. “Disarming and uncanny visions: Freud’s ‘the uncanny’ with regard to form and content in stories by Sherwood Anderson and D. H. Lawrence,” Literature and Psychology 9,no.1:9-12 Winter 1959.

618. Herbst, Josephine. “Ubiquitous critics and the author,” Newberry Library Bulletin 5:1-13 December 1958.

619. Hicks, Granville. “Two roads,” in his Great tradition. Rev.ed. New York, Macmillan, 1935. p.207-56.

620. Hilton, Earl Raymond. “The evolution of Sherwood Anderson’s ‘Brother death’,” Northwest Ohio Quarterly 24:125-30 Summer 1952.

621. ⸺. The purpose and method of Sherwood Anderson. Unpublished Ph.D. dissertation, University of Minnesota, 1950.

622. ⸺. “Sherwood Anderson and ‘heroic vitalism’,” Northwest Ohio Quarterly 29:97-107 Spring 1957.

623. Hind, Charles Lewis. “Sherwood Anderson,” in his Authors and I. New York, John Lane, 1921. p.19-23.

624. Hoffman, Frederick John. “Anderson—psychoanalyst by default,” in his Freudianism and the literary mind. Baton Rouge, Louisiana State University press, 1945. p.230-55.

625. ⸺. Freudianism: a study of influences and reactions, especially as revealed in the fiction of James Joyce, D. H. Lawrence, Sherwood Anderson and Waldo Frank. Unpublished Ph.D. dissertation, Ohio State University, 1942. 363p. (Abstract in Ohio. State University. Abstracts of doctoral dissertations no.41:81-88 1943)

626. ⸺. “Sherwood Anderson: a ‘groping, artistic, sincere personality’,” Western Review 18,no.2:159-62 Winter 1954. Concerns the Howe and Schevill biographies of Anderson.

627. ⸺. The twenties. New York, Viking, 1955. p.265-69 and passim.

628. “Homage to Sherwood Anderson,” Story 19,no.91, September-October 1941. Special Anderson memorial issue.

629. Howe, Irving. “The book of the grotesque,” Partisan Review 18:32-40 January/February 1951. Reprinted in his Sherwood Anderson, item 630.

630. ⸺. Sherwood Anderson. [New York] W. Sloan [1951] 271p. (The American men of letters series)

631. ⸺. “Sherwood Anderson: an American as artist,” Kenyon Review 13:193-203 Spring 1951.

632. ⸺. “Sherwood Anderson and D. H. Lawrence,” Furioso 5,no.4:21-33 Fall 1950. Forms the chapter “In the Lawrencian orbit” in his Sherwood Anderson, item 630.

633. ⸺. “Sherwood Anderson and the American myth of power,” Tomorrow 8:52-54 August 1949. Forms the chapter “Conditions of fame” in his Sherwood Anderson, item 630.

634. ⸺. “Sherwood Anderson and the power urge,” Commentary 10:78-80 July 1950. Forms part of the chapter “A will to splendor” in his Sherwood Anderson, item 630.

635. Huddleston, Sisley. Paris salons, cafés, studios ... being social, artistic, and literary memories. New York, Blue Ribbon Books [1928] p.78-82.

636. Huebsch, Benjamin W. “Footnotes to a publisher’s life,” Colophon n.s.2,no.3:415-17 Summer 1937.

637. “Interview with Sherwood Anderson,” Brentano’s Book Chat April 1921, p.18-19.

638. Izzo, Carlo. Storia della letteratura nord-americana. [Milan] Nuova Accademia editrice [1957] p.622-24.

639. Jessup, Mary E. “A checklist of the writings of Sherwood Anderson,” American Collector 5:157-58 January 1928.

640. Johnson, A. Theodore. “Realism in contemporary American literature: notes on Dreiser, Anderson, Lewis,” Southwestern Bulletin (Memphis) n.s.v.16,no.4:3-16 September 1929.

641. Johnson, Merle D. American first editions. 4th ed., rev. and enl. by Jacob Blanck. New York, Bowker, 1942. p.25-27.

642. Jones, Howard Mumford. “Portrait of a mid-westerner, lonely but happy, simple but complex,” New York Herald Tribune Books April 12, 1953, p.1, 19. From his introduction to the Letters.

643. Karsner, David. “Sherwood Anderson,” in his Sixteen authors to one. New York, Copeland, 1928. p.45-63.

644. Kaufman, Wolfe. “Sherwood Anderson’s advice,” Saturday Review of Literature 33:21 August 26, 1950.

645. Kazin, Alfred. “The letters of Sherwood Anderson,” in his The inmost leaf. New York, Harcourt [1955] p.223-28.

646. ⸺. “The new realism—Sherwood Anderson and Sinclair Lewis,” in his On native grounds. New York, Reynal and Hitchcock [1942] p.205-26.

647. Kintner, Evelyn. Sherwood Anderson: small town man, a study of the growth, revolt, and reconciliation of a small town man. Unpublished M.A. thesis, Bowling Green State University, 1942. 161p. (Abstract in Bowling Green State University. Abstracts of masters’ theses, 1941-45 p.41)

648. Kirchwey, Freda. “Sherwood Anderson,” Nation 152:313-14 March 22, 1941.

649. Komroff, Manuel. “Procession in the rain,” Story 19:94-95 September-October 1941.

650. Kranendonk, Anthonius Gerardus van. Geschiedenis van de amerikaanse literatur. Amsterdam, G. A. van Oorschot, 1947. v.2, p.198-203.

651. Krutch, Joseph Wood. “Vagabonds,” in American criticism, 1926. New York, Harcourt, 1926. p.108-11. Concerns Dark Laughter.

652. Kunitz, Stanley Jasspon, ed. Living authors, a book of biographies. New York, H. W. Wilson, 1931. p.7-9.

653. ⸺. Twentieth century authors. New York, H. W. Wilson, 1942. p.24-26.

654. Lawry, Jon S. “Death in the woods and the artist’s self in Sherwood Anderson,” Modern Language Association of America. Publications 74:306-11 June 1959.

655. Leitich, Albert. “Der erzähler erzählt sein leben,” Die Literatur 30:391-92 1928.

656. Lennartz, Franz. “Sherwood Anderson,” in his Ausländische Dichter und Schriftsteller unserer Zeit. Stuttgart, A. Kröner, 1955. p.10-12.

657. Lesser, Simon O. “The image of the father: a reading of ‘My kinsman, Major Molineux’ and ‘I want to know why’,” Partisan Review 22:372-90 Summer 1955. Reprinted in his Fiction and the unconscious. Boston, Beacon, 1957. p.224-34; and in Phillips, William. Art and psychoanalysis. New York, Criterion Books, 1957. p.237-46.

658. LeVerrier, Charles. “L’adolescent attarde,” L’Europe Nouvelle 7,no.307:12-13 January 5, 1924. Concerns Many Marriages.

659. Levinson, Andrei IAkovlevich. “Sherwood Anderson et le dilemme américain,” in his Figures américaines; dix-huit études sur des écrivains de ce temps. Paris, Editions V. Attinger, 1929. p.20-28.

660. Lewis, Sinclair. “A pilgrim’s progress,” in his The man from Main Street; a Sinclair Lewis reader. New York, Random House [1953] p.165-68. Concerns A Story Teller’s Story.

661. Lewis, Wyndham. “Paleface: (12) Sherwood Anderson,” The Enemy no.2:26-27 September [1928]. Reprinted with revisions and additions in his Paleface; the philosophy of the ‘melting pot’. London, Chatto and Windus, 1929. p.194-236.

662. Lewisohn, Ludwig. Expressionism in America. New York, Harper, 1932. p.485-88.

663. Liben, Meyer. “The book and the billing machine,” New Directions no.8:71-73 1944.

664. Literary history of the United States. Edited by Robert E. Spiller and others. New York, Macmillan, 1948. v.3, p.386-88; rev.ed. New York, Macmillan, 1953. p.1229-36; Bibliography supplement. New York, Macmillan, 1959. p.77-78.

665. “Literary spotlight,” Bookman (N.Y.) 55:157-62 April 1922. Reprinted in Farrar, John Chipman, ed. The literary spotlight. New York, Doran [1924] p.232-40.

666. Loggins, Vernon. “Back of the mask,” in his I hear America. New York, Crowell, 1937. p.143-74.

667. “Long-Critchfield dinner,” Agricultural Advertising 12:421 May 1905. An account of a corporation banquet held May 1, 1905, at which Anderson spoke on “making good.”

668. Lovett, Robert Morss. “The promise of Sherwood Anderson,” Dial 72:78-83 January 1922. Reprinted: Zabel, Morton Dauwen, ed. Literary opinion in America. New York, Harper, 1934. p.327-32. Concerns The Triumph of the Egg.

669. ⸺. “Sherwood Anderson,” English Journal 13:531-39 October 1924.

670. ⸺. “Sherwood Anderson,” New Republic 89:103-05 November 25, 1936. Reprinted: Cowley, Malcolm, ed. After the genteel tradition. New York, Norton, 1937. p.88-99.

671. ⸺. “Sherwood Anderson, American,” Virginia Quarterly Review 17:379-88 Summer 1941. Reprinted: Zabel, Morton Dauwen, ed. Literary opinion in America. Rev.ed. New York, Harper [1951] p.478-84.

672. Lowrey, Burling Hunt. A study of Sherwood Anderson’s short stories. Unpublished M.A. thesis, Cornell University, 1946. 67p.

673. Luccock, Halford E. Contemporary American literature and religion. New York, Willett, Clark, 1934. p.68-71.

674. Lundkvist, Artur. “Anderson sökaren,” in his Atlantvind. Stockholm, Albert Bonniers Förlag [1932] p.29-43.

675. ⸺. “Sherwood Anderson,” in his Diktare och avslöjare i Amerikas moderna litteratur. Stockholm, Koop, 1942. p.87-97.

676. ⸺. “Sherwood Anderson,” in his Tre amerikaner: Dreiser—Lewis—Anderson. Stockholm, A. Bonnier [1939] p.46-63.

677. McCole, Camille John. “Sherwood Anderson—congenital Freudian,” Catholic World 130:129-33 November 1929. Reprinted in his Lucifer at large. London, New York, Longmans, Green, 1937.

678. MacDonald, Dwight. “Sherwood Anderson,” Yale Literary Magazine 93:209-43 July 1928.

679. McIntyre, Ralph Elwood. The short stories of Sherwood Anderson. Unpublished M.A. thesis, Columbia University, 1949. 211p.

680. McNicol, Elinore Campbell. The American scene as Sherwood Anderson depicts it. Unpublished M.A. thesis, University of Colorado, 1934. 80p. (Abstract in Colorado. University. Abstracts of theses for higher degrees 22,no.1:46 November 1934)

681. Mahoney, John J. “An analysis of Winesburg, Ohio,” Journal of Aesthetics and Art Criticism 15:245-52 December 1956.

682. Maillard, Denyse. L’enfant américain dans le roman du middle-west. Paris, Nizet, 1935. passim.

683. Mainsard, Joseph. “Sherwood Anderson,” Études 190:303-25 February 8, 1927.

684. Mais, Stuart Petre Brodie. “Sherwood Anderson,” in his Some modern authors. London, Richards, 1923. p.17-31.

685. Marble, Annie R. “Sherwood Anderson,” in her A study of the modern novel, British and American, since 1900, New York, Appleton, 1928. p.372-77.

686. Marshall, Margaret. “Notes by the way,” Nation 154:574 May 16, 1942. Concerns Anderson’s Memoirs; for Paul Rosenfeld’s reply to this article see item 726.

687. Mason, Franklin. “The county fair, II,” Prairie Schooner 26:97-101 Spring 1952.

688. Mather, Frank Jewett. “Anderson and the National Institute of Arts and Letters,” Saturday Review of Literature 23:11 April 5, 1941.

689. Matthiessen, Francis Otto. Theodore Dreiser. New York, William Sloane, 1951. p.169-71 and passim.

690. Mencken, Henry Louis. “America’s most distinctive novelist—Sherwood Anderson,” Vanity Fair 27:88 December 1926.

691. Michaud, Régis. “Sherwood Anderson,” in his Panorama de la littérature américaine contemporaine. Paris, Kra [1926] p.170-73.

692. ⸺. “Sherwood Anderson, psychanalyste,” Revue des Cours et Conférences année 27,ser.2:627-42 July 15, 1926. Reprinted in his Le roman américaine d’aujourd’hui. Paris, Boivin [1926] p.150-68; English translation (“Sherwood Anderson on this side of Freud”) in his American novel today. Boston, Little, Brown, 1928. p.181-99.

693. ⸺. “Sherwood Anderson, ou le rêveur évillé,” Revue des Cours et Conférences année 27,ser.2:521-40 June 30, 1926. Reprinted in his Le roman américaine d’aujourd’hui. Paris, Boivin [1926] p.126-49; English translation in his American novel today. Boston, Little, Brown, 1928. p.154-80.

694. “A Mid-western ad man remembers: Sherwood Anderson, advertising man,” Advertising and Selling [28]:35, 68 December 17, 1936.

695. Miller, Henry. “Anderson the story-teller,” Story 19:70-74 September-October 1941.

696. Millett, Fred Benjamin. Contemporary American authors; a critical survey and 219 bio-bibliographies. New York, Harcourt, Brace, 1940. p.221-25.

697. More, Paul Elmer. The demon of the absolute. Princeton, Princeton University press, 1928. (New Shelburne essays, v.1) p.70-72.

698. Morris, Lawrence S. “Sherwood Anderson, sick of words,” New Republic 51:277-79 August 3, 1927.

699. Morris, Lloyd R. Postscript to yesterday. New York, Random House, 1947. p.145-48.

700. Moses, William Robert. Sherwood Anderson, his life, his philosophy, his books and what has been said about him. Unpublished M.A. thesis, Vanderbilt University, 1933. 145p. (Abstract in Vanderbilt University. Abstracts of theses August 1933, p.47)

701. Mueller, Frances Heckathorne. The American scene in Sherwood Anderson’s novels. Unpublished M.A. thesis, Columbia University, 1947. 57p.

702. Nuhn, Ferner. “Auction day in Missouri,” Story 19:96 September-October 1941.

703. O’Brien, Edward Joseph. “Sherwood Anderson and Waldo Frank,” in his The advance of the American short story. New York, Dodd, Mead, 1923. p.247-65.

704. O’Sullivan, Vincent. “Précisions sur la littérature américaine,” Mercure de France 136:535-40 December 1, 1919.

705. Oxford anthology of American literature. Edited by William Rose Benét and Norman Holmes Pearson. New York, Oxford University press [1946] v.2, p.1632-33.

706. Panhuijsen, Jos. “Sherwood Anderson,” Boekenschouw 35:14-19 May 15, 1941.

707. Pargellis, Stanley. “Foreword [to the Sherwood Anderson memorial number],” Newberry Library Bulletin ser.2,no.2:29 December 1948.

708. Parrington, Vernon. “Sherwood Anderson: a psychological naturalist,” in his Main currents in American thought. New York, Harcourt, Brace, 1930. v.3, p.370-71 and passim.

709. Pattee, Fred Lewis. The new American literature, 1890-1930. New York, Appleton-Century, 1937. p.332-37.

710. Pavese, Cesare. “Sherwood Anderson,” Cultura (Milan) 10:400-07 May 1931.

711. ⸺. “Sherwood Anderson,” in his La letteratura americana, e altri saggi. 2.ed. Torino, Einaudi, 1953. p.33-49.

712. Pearson, Norman Holmes. “Anderson and the new puritanism,” Newberry Library Bulletin ser.2, no.2:52-63 December 1948.

713. Phillips, William Louis. “The first printing of Sherwood Anderson’s Winesburg, Ohio,” Studies in Bibliography 4:211-13 1951-52.

714. ⸺. “How Sherwood Anderson wrote Winesburg, Ohio,” American Literature 23:7-30 March 1951.

715. ⸺. “Sherwood Anderson’s two prize pupils,” University of Chicago Magazine 47:9-12 January 1955. Concerns Faulkner, Hemingway and Anderson.

716. ⸺. Sherwood Anderson’s Winesburg, Ohio: its origins, composition, technique, and reception. Unpublished Ph.D. dissertation, University of Chicago, 1950. 218p.

717. Poppe, Hans Wolfgang. Psychological motivations in the writings of Sherwood Anderson. Unpublished M.A. thesis, University of Southern California, 1948. 138p.

718. Praz, Mario. “Parodia di Riso nero,” in his Cronache letterarie anglo-sassoni. Roma, Edizioni di storia e letteratura, 1951. v.2, p.190-95.

719. Quinn, Arthur Hobson. American fiction, an historical and critical survey. New York, Appleton-Century-Crofts, 1936. p.656-60.

720. Rascoe, Burton. Before I forget. Garden City, Doubleday, Doran, 1937. p.368 and passim.

721. ⸺. “Contemporary reminiscences,” Arts and Decoration 21:36, 66-67 August 1924.

722. Raspillaire, Jeanne Henrietta. The use of the oral idiom in the modern American novel. Unpublished M.A. thesis, Ohio State University, 1941. 105p. (Abstract in Ohio State University. Abstracts of masters’ theses 37:232 1941)

723. Raymund, Bernard. “The grammar of not-reason: Sherwood Anderson,” Arizona Quarterly 12:48-60; 136-48 Spring-Summer 1956.

724. Rideout, Walter B. “Why Sherwood Anderson employed Buck Fever,” Georgia Review 13:76-85 Spring 1959.

725. Ringe, Donald A. “Point of view and theme in ‘I want to know why’,” Critique 3:24-29 Spring-Fall 1959.

726. Rosenfeld, Paul. “The conflict in Anderson,” Nation 154:611 May 23, 1942. In reply to M. Marshall’s review of the Memoirs, item 686.

727. ⸺. “The man of good will,” Story 19:5-10 September-October 1941.

728. ⸺. “Sherwood Anderson,” Dial 72:29-42 January 1922.

729. ⸺. “Sherwood Anderson,” in his Port of New York. New York, Harcourt [1924] p.175-98.

730. “Sherwood Anderson’s work,” Anglica 1:66-88 April-June 1946.

731. Rossi, Sergio. “Sherwood Anderson,” Aevum 29:559-75 September-December 1955.

732. Sanderson, Arthur Marshall. Sherwood Anderson’s philosophy of life as shown by the action of characters in his novels. Unpublished M.A. thesis, Montana State University, 1948. 196p.

733. Saroyan, William. “His collaborators,” Story 19:75-76 September-October 1941.

734. Schaik-Willing, Jeanne van. “Sherwood Anderson,” Gids 1:477-82 March 1933.

735. Schevill, James. Sherwood Anderson, his life and work. [Denver] University of Denver press [1951] 360p.

736. Schiffman, Joseph. “The alienation of the artist: Alfred Stieglitz,” American Quarterly 3:244-57 Fall 1951.

737. Schloss, George. “Sherwood Anderson,” Hudson Review 4:477-80 Autumn 1951. Concerns Schevill’s biography of Anderson.

738. Schyberg, Frederik. Moderne amerikansk litteratur, 1900-1930. København, Gyldendal, 1930. p.63-71.

739. Sergel, Christopher. “Haunting voices; adapter of ‘Winesburg, Ohio’ recalls days in Chicago with Anderson,” New York Times February 2, 1958, section II, p.3.

740. Sergel, Roger. “The man and the memory,” Newberry Library Bulletin ser.2,no.2:44-51 December 1948.

741. ⸺. “Of Sherwood Anderson and ‘Kit Brandon’,” Book Buyer ser.4,v.2,no.7:2-4 November 1936.

742. “7,000 in day view Times book fair; Sherwood Anderson speaker,” New York Times November 8, 1936, section II, p.10. Includes brief excerpts from Anderson’s speech.

743. “Shall the home be abolished?” Literary Digest 111:25-26 November 28, 1931. Concerns the Bertrand Russell-Sherwood Anderson debate.

744. Sherbo, Arthur. “Sherwood Anderson’s ‘I want to know why’ and Messrs. Brooks and Warren,” College English 15:350-51 March 1954.

745. Sherman, Stuart Pratt. “Sherwood Anderson’s tales of the new life,” in his Critical woodcuts. New York, Scribner’s, 1926. p.3-17.

746. “Sherwood Anderson,” Bookman (N.Y.) 55:158-62 April 1922.

747. “Sherwood Anderson,” Current Biography 1941, p.25-26.

748. “Sherwood Anderson,” Deutsche Rundschau 267:99-100 May 1941.

749. “Sherwood Anderson,” Nation 152:284 March 15, 1941.

750. “Sherwood Anderson,” Publishers’ Weekly 139:1212 March 15, 1941.

751. “Sherwood Anderson,” Times Literary Supplement July 13, 1922, p.457. Reprinted: Times, London. Literary supplement. American writing today. New York, New York University press, 1957. p.351-53. Concerns The Triumph of the Egg.

752. “Sherwood Anderson and a Parisian critic,” Living Age 320:429-30 March 1, 1924. Concerns LeVerrier’s article, item 658.

753. “The Sherwood Anderson papers,” Newberry Library Bulletin ser.2,no.2:64-70 December 1948.

754. “Sherwood Anderson’s despair of letters,” Literary Digest 115:15 May 13, 1933.

755. “Sherwood Anderson’s two-thousand-dollar prize stories,” Current Opinion 72:96-98 January 1922. Concerns The Triumph of the Egg.

756. Sillen, Samuel. “Sherwood Anderson,” New Masses 39:23-26 March 25, 1941.

757. Sinclair, Upton Beall. “Muddlement,” in his Money writes! New York, Boni, 1927. p.119-23.

758. “Small townsman,” New Republic 104:357 March 17, 1941.

759. Smith, Henry Nash. “The liberated artist,” Nation 172:472-73 May 19, 1951. Concerns the Howe and Schevill biographies of Anderson.

760. Smith, Rachel. “Sherwood Anderson; some entirely arbitrary reactions,” Sewanee Review 37:159-63 April 1929.

761. Smith, Sarah Frances. Poe and Anderson: a study in the tradition of the short story. Unpublished M.A. thesis, Alabama Polytechnic Institute, 1949. 89p. (Abstract in Alabama Polytechnic Institute. Graduate School. Abstracts of theses, 1948/49 p.73-74)

762. Sprigge, Elizabeth. Gertrude Stein; her life and work. New York, Harper, 1957. p.125-28 and passim.

763. Stegner, Wallace, and others. The writer’s art. Boston, Heath [1950] p.142-45. Concerns “Adventure”.

764. Stein, Gertrude. The autobiography of Alice B. Toklas. New York, Harcourt, Brace, 1933. p.241-42 and passim.

765. ⸺. “Idem the same—a valentine to Sherwood Anderson,” Little Review 9:5-9 Spring 1923.

766. ⸺. “Sherwood’s sweetness,” Story 19:63 September-October 1941.

767. Sutton, William Alfred. “Sherwood Anderson: the advertising years, 1900-1906,” Northwest Ohio Quarterly 22:120-57 Summer 1950.

768. ⸺. “Sherwood Anderson: the Cleveland year, 1906-1907,” Northwest Ohio Quarterly 22:39-44 Winter 1949-50.

769. ⸺. “Sherwood Anderson: the Clyde years, 1884-1896,” Northwest Ohio Quarterly 19:99-114 July 1947.

770. ⸺. “Sherwood Anderson; the Spanish-American war year,” Northwest Ohio Quarterly 20:20-36 January 1948.

771. ⸺. Sherwood Anderson’s formative years (1876-1913). Ph.D. dissertation, Ohio State University, 1943. 237p. (Abstract in Ohio State University. Abstracts of doctoral dissertations no.41:195-97 1943) See items 767-70 for published portions.

772. Takigawa, Motoo. “Sherwood Anderson’s sensuousness,” Eibungaku-Kenkyu (Studies in English literature. Tokyo Imperial University. English Seminar. English Literary Society) 28:219-33 November 1952. In Japanese with English summary, p.277-78.

773. Taylor, Walter F. A history of American letters. New York, American Book Co., 1936. p.376-80.

774. Taylor, William E. Sherwood Anderson: his social creed. Unpublished M.A. thesis, Vanderbilt University, 1950. 114p. (Abstract in Vanderbilt University. Abstracts of theses August 1951, p.100-01)

775. Thurston, Jarvis Aydelotte. Sherwood Anderson: a critical study. Unpublished Ph.D. dissertation, State University of Iowa, 1946. 274p. (Abstract in Iowa. University. Doctoral dissertations and abstract references 6:474-75 1942-48)

776. ⸺. “Anderson and ‘Winesburg’: mysticism and craft,” Accent 16:107-28 Spring 1956.

777. Trilling, Lionel. “Sherwood Anderson,” Kenyon Review 3:293-302 Summer 1941. Reprinted with revisions in his The liberal imagination. New York, Viking, 1950. p.24-33; Anchor Books, 1958. p.20-31; and in Aldridge, John Watson, ed. Critiques and essays on modern fiction. New York, Ronald [1952] p.319-27.

778. Tugwell, Rexford Guy. “An economist reads Dark laughter,” New Republic 45:87-88 December 9, 1925.

779. Untermeyer, Louis. Heavens. New York, Harcourt, Brace [1922] p.70-71.

780. Van Doren, Carl. “Sherwood Anderson,” in his Contemporary American novelists, 1900-1920. New York, Macmillan, 1922. p.153-57.

781. ⸺. “Revolt from the village,” in his American novel, 1789-1939. Rev.ed. New York, Macmillan [1940] p.294-302.

782. ⸺. “Sinclair Lewis and Sherwood Anderson: a study of two moralists,” Century 110:362-69 July 1925.

783. ⸺ and Van Doren, Mark. American and British literature since 1890. Rev.ed. New York, Appleton-Century, 1939. p.98-100.

784. Van Doren, Mark. “Still groping,” in his Private reader. New York, Holt, 1942. p.247-51. Concerns Kit Brandon.

785. Wagenknecht, Edward Charles. “Sherwood Anderson: the ‘cri de coeur’ as novel,” in his Cavalcade of the American novel. New York, Holt [1952] p.311-18.

786. Walcutt, Charles Child. “Sherwood Anderson: impressionism and the buried life,” Sewanee Review 60:28-47 Winter 1952. Reprinted in his American literary naturalism, a divided stream. Minneapolis, University of Minnesota press [1956] p.222-39.

787. Walker, Don Devere. Anderson, Hemingway, Faulkner: three studies in mytho-symbolism in American literature. Unpublished M.A. thesis, University of Utah, 1947. 127p.

788. Warren, C. Henry. “Sherwood Anderson,” Bookman (London) 74:22-24 April 1928.

789. Warren, Robert Penn. “Hawthorne, Anderson and Frost,” New Republic 54:399-401 May 16, 1928. Concerns Chase’s biography of Anderson.

790. Weber, Brom. “Anderson and ‘the essence of things’,” Sewanee Review 59:678-92 Autumn 1951.

791. Weltz, Friedrich. Vier amerikanische Erzälungszyklen. J. London: “Tales of the fish patrol,” Sh. Anderson: “Winesburg, Ohio,” J. Steinbeck: “The pastures of heaven,” E. Hemingway: “In our time.” Unpublished Ph.D. dissertation, Universität München, 1953. 141p.

792. West, Ray Benedict. The short story in America: 1900-1950. Chicago, Regnery, 1952. p.46-48. Concerns “Death in the Woods.”

793. West, Rebecca. “Notes on novels,” New Statesman 18:564, 566 February 18, 1922. Concerns The Triumph of the Egg and Poor White.

794. ⸺. “Sherwood Anderson, poet,” in her Strange necessity. Garden City, Doubleday, Doran, 1928. p.309-20.

795. Whipple, Thomas King. “Sherwood Anderson,” New York Evening Post Literary Review 2:481-82 March 11, 1922.

796. ⸺. “Sherwood Anderson,” Berkeley no.1:3-4, 8 [1947]

797. ⸺. “Sherwood Anderson,” in his Spokesmen: modern writers and American life. New York, Appleton, 1928. p.115-38.

798. White, William Allen. “The country editor speaks,” Nation 128:714 June 12, 1929. Concerns Hello Towns.

799. Wickham, Harvey. “Laughter and Sherwood Anderson,” in his The impuritans. New York, L. MacVeagh; Toronto, Longmans, Green, 1929. p.268-82.

800. Wilson, Edmund. “All God’s chillun,” in his American earthquake. Garden City, Doubleday, 1958. p.124-28.

801. ⸺. Classics and commercials; a literary chronicle of the forties. New York, Farrar, Straus, 1950. p.105-06 and passim.

802. ⸺. “Sherwood Anderson’s ‘Many marriages’,” Dial 74:399-400 April 1923. Reprinted in his The shores of light. New York, Farrar, Straus and Young, 1952. p.91-93.

803. ⸺. “Sherwood Anderson: letters to Van Wyck Brooks,” in his The shock of recognition. Garden City, Doubleday, Doran, 1943. p.1256-90.

804. “Winesburg, Ohio: a Life artist [D. Fredenthal] visits Sherwood Anderson’s town,” Life 20:74-79 June 10, 1946.

805. Winther, S. K. “The aura of loneliness in Sherwood Anderson,” Modern Fiction Studies 5:145-52 Summer 1959.

806. Wolfe, Thomas. “A letter from Thomas Wolfe,” Story 19:68-69 September-October 1941.

807. Woolf, Virginia. “American fiction,” Saturday Review of Literature 2:1-3 August 1, 1925. Reprinted in her The moment and other essays. New York, Harcourt, Brace, 1948. p.113-27.

808. “A writer should be poor,” New York Times April 20, 1933, p.15. Report of an interview with Anderson.

809. Young, Stark. “A marginal note,” in Paul Rosenfeld, voyager in the arts. Edited by Jerome Mellquist and Lucie Wiese. New York, Creative Age press, 1948. p.195-97.

810. ⸺. “The prompt book: new mine for dramatists,” New York Times November 16, 1924, section VIII, p.1.

811. Zardoya, Concha. Historia de la literatura norte-americana. Barcelona, Madrid, etc., Editorial Labor, 1956. p.237-41.

Poems, Parodies, and Miscellaneous Items

812. Ford, Corey. “Three rousing cheers!!! The parody adventures of our youthful heroes. VI. ‘And here let us say good-by’ or, Beer and light Winesburg,” Bookman (N.Y.) 62:682-84 February 1926.

813. Markey, Gene. Literary lights, a book of caricatures. New York, Knopf, 1923. (unpaged)

814. Patchen, Kenneth. “We’re all fools (for Sherwood Anderson),” Story 19:87 September-October 1941. Poem.

815. Roskolenko, Harry. “Ballad; for Sherwood Anderson,” Poetry 59:243 February 1942. Poem.

816. ⸺. “Hello towns,” Story 19:36 September-October 1941. Poem.

817. Spratling, William Philip. Sherwood Anderson & other famous Creoles; a gallery of contemporary New Orleans ... arranged by William Faulkner. New Orleans, Pelican Bookshop press, 1926. Faulkner’s “Foreword” parodies Anderson’s style.

818. Ward, Christopher. “The triumph of the nut; or Too many marriages,” in his The triumph of the nut and other parodies. New York, Holt, 1923. p.1-9.

819. Weaver, Raymond W. “A complete handbook of opinion; being a compendium of ten famous people’s evaluations of the great old and new,” Vanity Fair 30:68-69 April 1928.

Reviews

820. Windy McPherson’s son (1916)

Bookman (N.Y.) 44:393-94 December 1916. (H. W. Boynton); 45:307 May 1917.

Dial 61:196-97 September 21, 1916. (William Lyon Phelps)

Nation 103:508 November 30, 1916. (H. W. Boynton); 104:49-50 January 11, 1917.

New Republic 9:333-36 January 20, 1917. (Francis Hackett)

New York Times Book Review October 8, 1916, p.423.

North American Review 204:942-43 December 1916.

Times Literary Supplement November 9, 1916, p.536.

821. Marching men (1917)

Bookman (N.Y.) 46:338 November 1917. (H. W. Boynton)

Dial 63:274-75 September 27, 1917. (George B. Donlin)

Publishers’ Weekly 92:1372 October 20, 1917. (Doris Webb)

New Republic 12:249-50 September 29, 1917. (Francis Hackett)

New York Times Book Review October 28, 1917, p.442.

822. Mid-American chants (1918)

Bookman (N.Y.) 47:641-42 August 1918. (Thomas Walsh)

Dial 64:483-85 May 23, 1918. (Louis Untermeyer)

New Republic 17:288-89 January 4, 1919.

Poetry 12:155-58 June 1918. (A. C. Henderson)

Yale Review n.s.8:437-38 January 1919. (Grace H. Conkling)

823. Winesburg, Ohio (1919)

Bookman (N.Y.) 49:729-30 August 1919. (H. W. Boynton)

Dial 66:666 June 28, 1919.

Europe 15:114-16 September 15, 1927. (René Lalou)

Nation 108:1017 June 28, 1919.

New Republic 19:257-60 June 25, 1919.

New York Sun June 1, 1919, p.3.

824. Poor White (1920)

Bookman (N.Y.) 52:559-60 February 1921. (Robert C. Benchley)

Dial 70:77-79 January 1921. (Robert Morss Lovett)

Freeman 2:403 January 5, 1921. (C. Kay Scott)

Das literarische Echo 28:372-73 April 1925. (Friedrich Shönemann)

Nation 111:536-37 November 10, 1920.

New Republic 24:330 November 24, 1920. (Francis Hackett)

New York Evening Post Literary Review December 4, 1920, p.4. (Constance M. Rourke)

New York Times Book Review December 12, 1920, p.20.

Publishers’ Weekly 98:1888 December 18, 1920. (Eric Gershom)

825. The triumph of the egg (1921)

Bookman (N.Y.) 54:378 December 1921. (John Farrar)

Dial 72:79-83 January 1922. (Robert Morss Lovett)

Freeman 4:281-82 November 30, 1921. (Mary M. Colum)

Nation 113:602 November 23, 1921.

New Republic 28:383-84 November 23, 1921. (Robert Morss Lovett)

New York Evening Post Literary Review November 26, 1921, p.200. (William R. Benét)

New York Times Book Review December 4, 1921, p.10. (Hildegarde Hawthorne)

New York World December 6, 1921, p.11. (Heywood Broun)

North American Review 215:412-16 March 1922. (Lawrence Gilman)

Saturday Review 132:621 November 26, 1921.

826. Horses and men (1923)

Freeman 8:307-08 December 5, 1923. (Newton Arvin)

Literary Digest International Book Review 2:42 December 1923. (Joseph Collins)

New Republic 37:99-100 December 19, 1923. (Robert Littell)

New York Evening Post Literary Review December 8, 1823, p.333. (Alyse Gregory)

New York Times Book Review November 25, 1923, p.7, 25.

New York Tribune Book News and Reviews November 25, 1923, p.20. (Burton Rascoe)

Revue Anglo-Américaine 6:87 October 1928. (Marguerite Rocher)

827. Many marriages (1923)

Bookman (N.Y.) 57:210-11 April 1923. (Percy N. Stone)

Dial 74:399-400 April 1923. (Edmund Wilson)

Independent 110:232 March 31, 1923. (H. W. Boynton)

Nation 116:368 March 28, 1923. (Ludwig Lewisohn)

New Republic 37(Spring Book Section):6-8 April 11, 1923. (Robert Littell)

New York Evening Post Literary Review February 24, 1923, p.483. (Henry Seidel Canby)

New York Times Book Review February 25, 1923, p.10.

New York Tribune Book News and Reviews February 25, 1923, p.17. (Burton Rascoe)

New York World February 25, 1923, Section E, p.6. (Heywood Broun)

Saturday Review 136:281 September 8, 1923. (Gerald Gould)

828. A story teller’s story (1924)

Bookman (N.Y.) 60:492-93 December 1924. (Louis Bromfield)

Ex Libris (American Library, Paris) 2:176-77 March 1925. (Ernest Hemingway); 2:177 March 1925. (Gertrude Stein)

Literary Digest International Book Review 2:15-16 December 1924. (Herbert S. Gorman)

Nation 119:640-41 December 10, 1924. (Harry Hansen)

New Republic 40:255-56 November 5, 1924. (Robert Morss Lovett)

New York Evening Post Literary Review November 1, 1924, p.4. (Walter Yust)

New York Times Book Review October 12, 1924, p.6. (Lloyd Morris)

Revue Anglo-Américaine 3:175-78 December 1925. (C. Cestre)

Saturday Review of Literature 1:200 October 18, 1924. (William R. Benét)

Survey 53:288-89 December 1, 1924. (Arthur Kellogg)

829. Dark laughter (1925)

Anglia Beiblatt 39:23-26 1928. (Walter Fischer)

Atlantic Monthly 136(Bookshelf):14 December 1925. (Archibald MacLeish)

Bookman (N.Y.) 62:338-39 November 1925. (Herschel Brickell)

Dial 79:510-14 December 1925. (Waldo Frank)

Independent 115:302 September 12, 1925. (Ernest Boyd)

Literary Digest International Book Review 3:805, 808 November 1925. (William R. Lanfeld)

Nation 121:626-27 December 2, 1925. (Joseph Wood Krutch)

New Republic 44:233-34 October 21, 1925. (Robert Morss Lovett)

New Statesman 27:199 June 5, 1926. (P. C. Kennedy)

New York Evening Post Literary Review September 26, 1925, p.2. (Walter Yust)

New York Herald Tribune Books October 4, 1925, p.1. (Stuart P. Sherman)

New York Times Book Review September 20, 1925, p.9.

Outlook 141:288 October 21, 1925.

Revue Anglo-Américaine 4:568 August 1927. (Émile Legouis)

Saturday Review of Literature 2:191 October 10, 1925. (Henry Seidel Canby)

830. The modern writer (1925)

Bookman (N.Y.) 63:361 May 1926.

Literary Digest International Book Review 4:593 August 1926. (N. Bryllion Fagin)

New York Times Book Review January 10, 1926, p.14.

831. Sherwood Anderson’s notebook (1926)

Bookman (N.Y.) 63:599-600 July 1926 (Will Cuppy)

Dial 82:74 January 1927.

Independent 116:751 June 26, 1926.

Literary Digest International Book Review 4:654-55 September 1926. (James L. Ford)

Nation 123:155 August 18, 1926.

New York Evening Post Literary Review May 22, 1926, p.3. (Walter Yust)

New York Herald Tribune Books June 20, 1926, p.7. (Babette Deutsch)

New York Times Book Review May 9, 1926, p.2. (H. I. Brock)

New York World May 9, 1926, Section M, p.6. (Harry Hansen)

Outlook 143:420 July 21, 1926.

Revue Anglo-Américaine 4:85-86 October 1926. (C. Cestre)

Saturday Review of Literature 2:933 July 17, 1926. (Arthur Colton)

832. Tar: A Midwest childhood (1926)

Dial 82:256 March 1927.

Nation 124:121-22 February 2, 1927. (Clifton Fadiman)

New Statesman 30:330, 332 December 17, 1927.

New York Evening Post Literary Review January 22, 1927, p.2.

New York Herald Tribune Books November 21, 1926, p.1. (Rebecca West)

New York World December 5, 1926, Section M, 1926, p.2. (H. S. Gorman)

New York World December 5, 1926, Section M, p.11.

Outlook 154:60 January 12, 1927.

Revue Anglo-Américaine 5:400-01 April 1928. (C. Cestre)

Saturday Review 144:709 November 19, 1927. (L. P. Hartley)

Saturday Review of Literature 3:593 February 19, 1927. (Arthur Colton)

833. A new testament (1927)

Bookman (N.Y.) 65:710 August 1927. (John Farrar)

Independent 118:641 June 18, 1927.

New York Evening Post Literary Review July 9, 1927, p.8 (Conrad Aiken)

New York Herald Tribune Books July 24, 1927, p.2. (Babette Deutsch)

New York Times Book Review June 12, 1927, p.9.

New York World June 19, 1927, Section M, p.8. (Harry Hansen)

Revue Anglo-Américaine 5:580-81 August 1928. (C. Cestre)

Saturday Review of Literature 4:85 September 3, 1927. (Hamish Miles)

834. Hello towns! (1929)

Boston Transcript April 27, 1929, p.3. (E. F. Edgett)

Nation 128:714 June 12, 1929. (William Allen White)

New Republic 58:365 May 15, 1929. (Geoffrey Hellman)

New York Herald Tribune Books May 5, 1929, p.3. (Lewis Gannett)

New York Times Book Review April 28, 1929, p.1. (Percy Hutchison)

Outlook 152:78 May 8, 1929. (Walter R. Brooks)

Saturday Review of Literature 5:974 May 4, 1929. (Sara Haardt)

835. Perhaps women (1931)

Forum 86:vi, viii November 1931.

Nation 133:401-02 October 14, 1931. (Horace Gregory)

New Republic 69:24-25 November 18, 1931. (Murray Godwin)

New York Herald Tribune Books September 20, 1931, p.5. (Mary Ross)

New York Times Book Review September 27, 1931, p.2. (R. C. Feld)

Outlook 159:184 October 7, 1931 (Harry Salpeter)

Revue Anglo-Américaine 9:269 February 1932. (C. Cestre)

Saturday Review of Literature 8:183 October 10, 1931. (Henry Seidel Canby)

Survey 67:498-99 February 1, 1932. (John C. Nelson)

836. Beyond desire (1932)

Bookman (N.Y.) 75:642-43 October 1932. (Geoffrey Stone)

Journal of Social Forces 11:295-98 December 1932. (Harriet L. Herring)

Mercure de France Année 44,t.247:218-20 October 1933. (Jean Catel)

Nation 135:432-33 November 2, 1932. (Clifton Fadiman)

New Republic 73:168-69 December 21, 1932. (Granville Hicks)

New York Herald Tribune Books September 25, 1932, p.7. (Margaret C. Dawson)

New York Times Book Review September 25, 1932, p.6. (John Chamberlain)

Saturday Review of Literature 9:305 December 10, 1932. (T. K. Whipple)

Survey 68:565 November 1, 1932. (Helen Mears)

World Tomorrow 15:525-26 November 30, 1932. (Reinhold Niebuhr)

837. Death in the woods (1933)

Commonweal 18:273 July 7, 1933. (Jerome Mellquist)

Nation 136:508 May 3, 1933. (William Troy)

New Republic 75:105-06 June 7, 1933. (T. S. Matthews)

New York Herald Tribune Books April 16, 1933, p.4. (F. T. Marsh)

New York Times Book Review April 23, 1933, p.6. (Louis Kronenberger)

Saturday Review of Literature 9:561 April 29, 1933. (John Chamberlain)

838. Puzzled America (1935)

American Review 5:234-38 May 1935. (Donald Davidson)

Atlantic Monthly 156(Bookshelf):10 August 1935. (Donald MacCampbell)

Chicago Daily Tribune May 4, 1935, p.14. (Gertrude Stein)

Literary Digest 119:26 April 6, 1935.

Die neueren Sprachen 43:576-77 1935. (Hans Effelberger)

New Republic 82:348 May 1, 1935. (Hamilton Basso)

New York Herald Tribune Books March 30, 1935, p.9. (Lewis Gannett); April 7, 1935, p.5. (Ernest S. Bates)

New York Times Book Review April 7, 1935, p.1. (R. L. Duffus)

Saturday Review of Literature 11:621 April 13, 1935. (Louis Adamic)

839. Kit Brandon (1936)

Book Buyer n.s.2,no.8:9 Christmas 1936.

Commonweal 25:109 November 20, 1936. (Geoffrey Stone)

Nation 143:452-53 October 17, 1936. (Mark Van Doren)

New Republic 88:318 October 21, 1936. (Hamilton Basso)

New York Herald Tribune Books October 11, 1936, p.1. (Alfred Kazin)

New York Times Book Review October 11, 1936, p.3. (Stanley Young)

Saturday Review of Literature 14:13 October 10, 1936. (Howard Mumford Jones)

Time 28:87 October 12, 1936.

840. Plays, Winesburg and others (1937)

New York Herald Tribune Books October 31, 1937, p.22. (W. P. Eaton)

New York Times Book Review November 14, 1937, p.9. (P. M. Jack)

Theatre Arts Monthly 21:824-25 October 1937.

841. Home town (1940)

Atlantic Monthly 166:unpaged section December 1940.

Boston Transcript October 23, 1940, p.11. (Lewis Gannett)

Commonweal 33:233 December 20, 1940. (John C. Cort)

New York Herald Tribune Books October 27, 1940, p.5. (R. F. Crandell)

New York Times Book Review October 27, 1940, p.1. (R. L. Duffus)

New Yorker 16:87 November 2, 1940.

Saturday Review of Literature 23:21 January 11, 1941. (Henry Seidel Canby)

Survey Graphic 29:635, 637 December 1940. (Florence L. Kellogg)

Time 36:60-61 October 28, 1940.

842. Sherwood Anderson’s memoirs (1942)

Atlantic Monthly 169:unpaged section May 1942. (Edward Weeks)

Commonweal 36:19-20 April 24, 1942. (J. K. Paulding)

Nation 154:574 May 16, 1942. (Margaret Marshall)

New Republic 106:548-49 April 20, 1942. (Max Gissen)

New York Herald Tribune Books April 12, 1942, p.1-2. (Floyd Dell)

New York Times Book Review April 12, 1942, p.3. (R. L. Duffus)

New Yorker 18:87 April 11, 1942.

Saturday Review of Literature 25:5-6 April 11, 1942. (Harry Hansen)

Time 39:90 April 20, 1942.

Yale Review n.s.32:183-85 Autumn 1942. (Maxwell Geismar)

843. Sherwood Anderson reader (1947)

American Literature 20:73-74 March 1948. (Frederick J. Hoffman)

Nation 166:20 January 3, 1948. (F. W. Dupee)

New York Herald Tribune Weekly Book Review November 9, 1947, p.1-2. (Malcolm Cowley)

New York Times Book Review November 9, 1947, p.1, 67-69. (Lionel Trilling)

Partisan Review 15:492-99 April 1948. (Irving Howe)

Personalist 29:426-27 October 1948. (Lionel Stevenson)

Saturday Review of Literature 30:52 December 6, 1947. (Robeson Bailey)

844. Portable Sherwood Anderson (1949)

New Republic 121:18-19 August 15, 1949. (Alexander Klein)

Saturday Review of Literature 32:40 April 23, 1949. (Ben Ray Redman)

Time 53:96, 98, 100 February 28, 1949.

845. Letters of Sherwood Anderson (1953)

Arizona Quarterly 9:357-59 Winter 1953. (Bernard Raymund)

Nation 176:526-28 June 20, 1953. (Willard Thorp)

New Republic 128:19-20 June 22, 1953. (Perry Miller)

Partisan Review 20:690-92 November 1953. (Elizabeth Hardwick)

Reporter 8:38-39 June 23, 1953. (Gouverneur Paulding)

Saturday Review 36:20 June 20, 1953. (Brom Weber)

Southwest Review 38:xiv-xv, 350 Autumn 1953. (John T. Flanagan)

INDEX

References to titles listed alphabetically in “Contributions to Periodicals” and “Contributions to the Smyth County News” are not included in the index.

Aaron, Manley, 483
Adamic, Louis, 838
Adams, James D., 485
Adams, Mildred, 486
Adler, Elmer, 278
“Adventure”, 763

“After seeing George Bellows’ Mr. and Mrs. Wase”, 157

Aiken, Conrad, 487, 833
Alcántara, Mario G., 42
Alexander, David C., 488
Alfaro, Julio C., 16
“Alice”, 110
Alice and the lost novel, 44
Almy, Robert F., 489
Amado, James, 12
American county fair, The, 48
American Spectator, 391
Anderson, Elizabeth, 39
Anderson, Emma S., 9
Anderson, John, 17, 89
Anderson, Karl J., 491
Anderson, Margaret, 303, 492
Anderson, Marion M., 7
Anderson, Robert, 17
Anderson, Tennessee Mitchell, 13, 17
Arvin, Newton, 495, 826
Ashley, Schuyler, 496-97
Asselineau, Roger, 498
Bailey, Robeson, 843
Baldini, G., 24
Baldwin, Charles C., 499
Barberá, Manuel, 51
Barker, Russell H., 500
Basso, Hamilton, 838-39
Bates, Ernest S., 838
Beach, Joseph W., 501
Beach, Sylvia, 502
Benchley, Robert C., 824
Benét, William R., 503, 705, 825, 828
Berg, Ruben G., 504
Berland, Alwyn, 505
Berti, Luigi, 506
Beyond desire, 50-51, 836
Birney, Earle, 507
Bishop, John P., 357, 508-09
Blanck, Jacob, 641
Bland, Winifred, 510
Blankenship, Russell, 511
Bodenheim, Maxwell, 512-13
Bonsanti, Marcella, 58
Boussinesq, Hélène, 149
Boyd, Ernest, 11-12, 391, 829
Boyd, James, 514
Boynton, H. W., 820-21, 823, 827
Boynton, Percy H., 515
Braak, Menno ter, 516
Bredsdorff, Elias, 12
Brickell, Herschel, 829
Brinnin, Malcolm, 517
Brock, H. I., 831
Bromfield, Louis, 828
Brooks, Cleanth, 518, 744
Brooks, Van Wyck, 91, 519-20, 803
Brooks, Walter R., 834
Brossard, Chandler, 521
“Brother death”, 611, 620
Broun, Heywood, 825, 827
Brown, John, 522
Bruno, Francesco, 523
Bruns, Friedrich, 524
Buchanan, Annabel M., 525
“Buck Fever”, 431-82, 724
Budd, Louis J., 526
Burrow, Trigant, 527
Cabell, James Branch, 391
Calverton, V. F., 85, 361, 529
Canby, Henry S., 530-31, 827, 829, 835, 841
Cargill, Oscar, 532
Carmer, Carl, 284
Carr, Edward F., 533
Carson, Saul, 534
Catel, Jean, 836
Centeno, Augusto, 36, 72
Cestre, C., 828, 831-33, 835
Chamberlain, John, 836-37
Chapman, Arnold, 535
Chase, Cleveland B., 536-37, 789
“Chicago hamlet, A”, 115
Cleaton, Allen, 538
Cleaton, Irene, 538
Cohen, Elliot E., 372
Collins, Joseph, 539-40, 826
Colton, Arthur, 831-32
Colum, Mary M., 825
Commercial Democracy, 392
Conkling, Grace H., 822
Copenhaver, Laura Lou, 53
Cort, John C., 841
Coster, Dirk, 541
Cowley, Malcolm, 542, 843
Crandell, R. F., 841
Crane, Hart, 543
Crane, Stephen, 76
Crawford, Nelson A., 544
Cuppy, Will, 831
Dahlberg, Stina, 16
Dark laughter, 33-36, 496, 718, 778, 829
Daugherty, George H., 546
Davenport, Kenneth, 547
Davidson, Donald, 838
Dawson, Margaret C., 836
Death in the woods, 52, 510, 792, 837
De Dominicis, Anna M., 548
Dell, Floyd, 549-50, 842
Deutsch, Babette, 831, 833
Dickinson, L. R., 551
Dickman, Max, 12
Dinamov, S., 32, 51
Dinsmoor, Mary H., 552
Doberhoff, Lili, 16
Donlin, George B., 821
Dos Passos, John, 557
Double Dealer, 248

Dreiser, Theodore, 21, 77, 89, 154, 324, 391, 493, 516, 553-54, 583, 595, 640, 676, 689

Duffey, Bernard, 555
Duffus, R. L., 838, 841-42
Dupee, F. W., 843
Eaton, W. P., 840
Echávarri, Luis, 32
Eck, Waldie van, 58
Edgar, Pelham, 557
Edgett, E. F., 834
Effelberger, Hans, 838
Emmett, Burton, 45, 118
Emmett, Mary P., 55
“Epilogue”, 131
Eschelmüller, Valerie, 558
Esherick, Wharton, 435
Ewald, Tom, 45

Exhibition of paintings by Alfred H. Maurer, An, 28

Fadiman, Clifton, 560, 832, 836
Fagin, Nathan B., 561-64, 830
Farrar, John, 825, 833
Farrell, James T., 565
Faulkner, William, 557, 566-67, 787, 817
Fay, Bernard, 24, 357, 568-70
Feld, R. C., 835
Feldman, Eugene, 571-72
Fenton, Charles A., 573
Ferres, John H., 574
Fischer, Walter, 829
Flanagan, John T., 575-76, 845
Flores, Angel, 16
Fontanet, Georges, 577
Ford, Corey, 812
Ford, Ford Madox, 203
Ford, James L., 831
Forer, Valeria, 578
Frank, Waldo, 69, 372, 579-82, 703, 829
Franulic, Lenka, 188, 583
Fredenthal, D., 804
Free Company, 92
Freitag, George, 87
Freud, Sigmund, 617, 624-25, 692
Friend, Julius W., 584
Gál, Andor, 42
Galantière, Lewis, 585
Gallup, Donald, 90
Gannett, Lewis, 834, 838, 841
Gannon, John I., 47
Garnett, Edward, 586
Gay, Marguerite, 12, 20, 24, 42, 263, 522
Geismar, Maxwell D., 587-88, 842
Gelfant, Blanche H., 589
Genty, Paul, 42
George, Henry, 315
Gerould, Katharine F., 590
Gershom, Eric, 824
Gilman, Lawrence, 825
Giovanola, Luigi, 27
Gissen, Max, 842
Godwin, Murray, 835
Gold, Herbert, 591
Gómez de la Mata, Germán, 12
Gorfinkel, D. M., 32
Gorman, Herbert S., 828, 832
Gould, Gerald, 827
Gozzi, Raymond D., 593-94
Grabhorn Press, 37, 47
Grana, Gianni, 595
Green, Elizabeth L., 596
Green, Paul, 596
Gregory, Alyse, 597, 826
Gregory, Horace, 66, 835
Grillo, Giuseppe, 598
Gronna, Anne T. M., 599
Gruening, Ernest H., 73
Guido, Augusto, 600
Haardt, Sara, 834
Hackett, Francis, 601-02, 820-21, 824
Halleck, Reuben P., 603
Hannau, Marcella, 65
Hansen, Harry, 604-05, 828, 831, 833, 842
Hardwick, Elizabeth, 845
Harlan miners speak, 71
Hart, Robert C., 606
Hartley, L. P., 832
Hartley, Marsden, 607
Hartwick, Harry, 608
Hatcher, Harlan H., 609
Haught, Viva E., 610
Havighurst, Walter, 611
Hawthorne, Hildegarde, 825
Hazard, Lucy L., 612
Hecht, Ben, 614-15
Heiberg, Hans, 36
Hellesnes, Nils, 616
Hellman, Geoffrey, 834
Hello towns!, 45-46, 798, 834

Hemingway, Ernest, 557, 573, 575, 787, 791, 828

Henderson, A. C., 822
Hepburn, James G., 617
Herbst, Josephine, 618
Hergesheimer, Joseph, 586
Herring, Harriet L., 836
Herrmann, Eva, 334
Hicks, Granville, 619, 836
Hilton, Earl R., 620-22
Hind, Charles L., 623
Hoffman, Frederick J., 624-27, 843
Home town, 61, 841
Hoover, Herbert, 210
Horses and men, 21-24, 495, 826
Howe, Irving, 629-34, 759, 843
Huddleston, Sisley, 635
Huebsch, Benjamin W., 636
Hughes, Langston, 284
Hutchinson, Eugene, 17
Hutchinson, Percy, 834
“I want to know why”, 518, 657, 744
Iijima Yoshihide, 36
Izzo, Carlo, 638
Jack, P. M., 840
Jansen, Roy, 87
“Jasper Deeter”, 176
Jessup, Mary E., 639
Johnson, A. Theodore, 640
Johnson, Merle D., 641
Jolas, Eugène, 20, 24, 78
Jonason, Olov, 12, 65
Jones, Howard Mumford, 68, 87, 642, 839
Jones, William, 372
Jovanović, Slobodan A., 12
“Justice”, 366
Kalantzi, B., 16
Karsner, David, 643
Kaufman, Wolfe, 644
Kazin, Alfred, 645-46, 839
Kellogg, Arthur, 828
Kellogg, Florence L., 841
Kennedy, P. C., 829
“King coal”, 241
Kintner, Evelyn, 647
Kirchwey, Freda, 648
Kit Brandon, 55-58, 741, 784, 839
Klein, Alexander, 844
Komroff, Manuel, 649
Kondrysová, Eva, 12
Kovalenskaya, M., 24
Kozlenko, William, 95
Kranendonk, Anthonius, 650
Kreymborg, Alfred, 70, 74
Kronenberger, Louis, 837
Krutch, Joseph W., 651, 829
Krzyszton, Jerzy, 12
Kunitz, Stanley, 652-53
Lalou, René, 42, 823
Lanfeld, William R., 829
Lange, Per, 36
Lankes, Julius J., 49, 198
Lardner, Ring, 166, 230
Larsen, Henrik, 12
Lavretski, V., 6
Lawrence, D. H., 213, 225-26, 509, 617, 632
Lawry, Jon S., 654
Legouis, Émile, 829
Leitich, Albert, 655
Lennartz, Franz, 656
Lerbs, Karl, 16, 20, 32
Lesser, Simon O., 657
Letters of Sherwood Anderson, 68, 845
LeVerrier, Charles, 658, 752
Levidov, M., 12
Levinson, Andrei I., 659
Lewis, Sinclair, 166, 640, 660, 676, 782
Lewis, Wyndham, 661
Lewisohn, Ludwig, 662, 827
Liben, Meyer, 663
“Like a queen”, 110
Lindsay, Vachel, 207, 555
Littell, Robert, 826-27
Llona, Victor, 32, 568
Loggins, Vernon, 666
London, Jack, 791
Long, Maurice, 49

Lovett, Robert Morss, 86, 668-71, 824-25, 828-29

Lowrey, Burling H., 672
Luccock, Halford E., 673
Lundkvist, Artur, 65, 674-76
MacCampbell, Donald, 838
McCole, Camille J., 677
MacDonald, Dwight, 678
McIntyre, Ralph E., 679
McKee, Philip, 79
MacLeish, Archibald, 829
McNicol, Elinore C., 680
Madrid, Francisco, 63
Mahoney, John J., 681
Maillard, Denyse, 682
Mainsard, Joseph, 683
Mais, Stuart P., 684
Mallea, Eduardo, 535
Maltz, Albert, 81, 84

Many marriages, 25-27, 490, 531, 658, 802, 827

Marble, Annie R., 685
Marching men, 4-6, 821
Marion Democrat, 393
Markey, Gene, 813
Marsh, F. T., 837
Marshall, Margaret, 683, 842
Mason, Franklin, 687
Masters, Edgar Lee, 207
Mather, Frank J., 688
Matthews, T. S., 837
Matthiessen, Francis O., 689
Matveyev, S. D., 12
Maurer, Alfred H., 28
Mears, Helen, 836
Mellquist, Jerome, 86, 837
Mencken, Henry L., 690
Michaud, Régis, 691-93
Mid-American chants, 7-8, 822
Miles, Hamish, 833
“Milk bottles”, 381
Miller, Henry, 695
Miller, Perry, 845
Millett, Fred B., 696

Mitchell, Tennessee, see Anderson, Tennessee Mitchell

Miyazaki, Yoshizô, 20, 24
Modern writer, The, 37, 830
More, Paul E., 697
Morris, Lawrence S., 698
Morris, Lloyd R., 699
Moses, William R., 700
Mueller, Frances H., 701
Nathan, George J., 391
Nearer the grass roots, 47
Nelson, John C., 835
Nemi, Orsola, 12
New Testament, A, 43, 833

Newberry Library Anderson Collection, 494, 753

Niebuhr, Reinhold, 836
“Night in a corn town”, 323
No swank, 53
Nossack, Hans Erich, 12
“Notes for newspaper readers”, 277
Nuhn, Ferner, 702
O’Brien, Edward J., 703
Ohashi, Kichinosuke, 19
Okhrimenko, P., 12, 20, 51
Olivet College, 60
“Olsonville”, 267
O’Neil, Raymond, 96
O’Neill, Eugene, 391
Osterling, Anders, 36
O’Sullivan, Vincent, 704
Paleólogo, Constantino, 12
Panhuijsen, J., 706
Pargellis, Stanley, 707
Parrington, Vernon, 708
Patchen, Kenneth, 814
Pattee, Fred L., 709
Paulding, Gouverneur, 845
Paulding, J. K., 842
Pavese, Cesare, 36, 710-11
Pearson, Norman H., 705, 712
Perhaps women, 49, 835
Phelps, William L., 820
Phillips, William L., 713-16
Pivano, Fernanda, 32
Plays, Winesburg and others, 59, 840
“Please let me explain”, 288
Poe, Edgar Allan, 761
Poor White, 13-16, 401, 793, 824
Poppe, Hans W., 717
Portable Sherwood Anderson, The, 66-67, 844
Prall, Jane W., 33
Praz, Mario, 718
Prospero, Ada, 12
Puzzled America, 54, 838
Quilico, Luisella, 16
Quinn, Arthur H., 719
Rascoe, Burton, 720-21, 826-27
Raspillaire, Jeanne H., 722
Raymund, Bernard, 723, 845
Redman, Ben Ray, 844
Restrup, Ole, 51
Reunanen, Leena-Maija, 12
“Revolt in South Dakota”, 367
Rideout, Walter B., 724
Ringe, Donald A., 725
Rivière, Jean, 24
Rocher, Marguerite, 826
Romanova, E., 32
Rorty, James, 372
Ros, Armando, 12
Rosenfeld, Paul, 25, 64, 86, 166, 726-29
Roskolenko, Harry, 815-16
Ross, Mary, 835
Rossi, Sergio, 731
Rosskam, Edwin, 61
Rourke, Constance M., 824
Russell, Bertrand, 218, 484, 743
Salpeter, Harry, 835
Sandburg, Carl, 130, 555, 610
Sanderson, Arthur M., 732
Santangelo, Guglielmo, 20
Saroyan, William, 733
Sarvig, Ole, 27
Schaik-Willing, Jeanne van, 734
Schevill, Ferdinand, 52, 88
Schevill, James, 735, 759
Schiffman, Joseph, 736
Schloss, George, 737
Schweinitz, Maria von, 46
Schyberg, Frederik, 738
Scott, C. Kay, 824
Sergel, Christopher, 93, 97, 739
Sergel, Roger, 54, 740-41
Shaw, Lloyd, 80
Sherbo, Arthur, 744
Sherman, Stuart P., 745, 829
Sherwood Anderson reader, The, 64-65, 843
Sherwood Anderson’s memoirs, 62-63, 686, 842
Sherwood Anderson’s notebook, 38, 831
Shipman, Evan, 177
Shönemann, Friedrich, 824
Sillen, Samuel, 756
Sinclair, Upton, 757
Sklar, George, 81, 84
Smeding, H. J., 16
Smith, Henry N., 759
Smith, Rachel, 760
Smith, Sarah F., 761
Smyth County News, 394-482, 551
Southworth Press, 48
Spiller, Robert E., 664
Spratling, William P., 817
Sprigge, Elizabeth, 726
Stegner, Wallace, 763

Stein, Gertrude, 90, 166, 170-71, 517, 762, 764-66, 828, 838

Steinbeck, John, 791
Stephenson, Nathaniel W., 111
Stevenson, Lionel, 843
Stevns, Arne, 58
Stieglitz, Alfred, 29, 69, 75, 101
Stone, Geoffrey, 836, 839
Stone, Percy N., 827

Story teller’s story, A, 29-32, 503, 539, 655, 660, 828

Sutton, William A., 767-71
Swanson, Gloria, 98
Takigawa, Motoo, 772
Taniguchi, Rikuo, 20, 24
Tar: A Midwest childhood, 39-42, 497, 832
Taylor, Walter F., 773
Taylor, William E., 774
“They elected him”, 390
“Thinker, A”, 250
Thorp, Willard, 845
Thurston, Jarvis A., 775-76
Toksvig, Harald, 9
Trevisani, Giuseppe, 12
Trilling, Lionel, 777, 843

Triumph of the egg, The, 17-20, 751, 755, 793, 825

Triumph of the egg, The (drama), 96
Trolle, Elsa af, 36
Troy, William, 837
Tugwell, Rexford G., 175, 778
Untermeyer, Louis, 779, 822
Van Doren, Carl, 780-83
Van Doren, Mark, 783-84, 839
Volosov, Mark, 6, 24
Wagenknecht, Edward C., 785
Walcutt, Charles C., 786
Walker, Don D., 787
Walsh, Thomas, 822
“War”, 341
Ward, Christopher, 818
Warren, C. Henry, 788
Warren, Robert P., 518, 744, 789
Wase, Philip, 157
Weaver, Raymond W., 819
Webb, Doris, 821
Weber, Brom, 790, 845
Weeks, Edward, 842
Weltz, Friedrich, 791
Werneck de Castro, Moacir, 12
West, Ray B., 792
West, Rebecca, 559, 793-94, 832
Westgate Press, 47
Wharton, Edith, 589
Whipple, Thomas K., 795-97, 836
White, William A., 798, 834
Whitman, Walt, 82, 610
Wickham, Harvey, 799
Wiese, Lucie, 86
Wilde, Percival, 94
“Will you sell your newspapers?”, 191
Wilson, Edmund, 800-03, 827
Windy McPherson’s son, 1-3, 820

Winesburg, Ohio, 9-12, 498, 522, 582, 587, 591, 629, 681, 713-14, 716, 739, 776, 791, 804, 823

Winesburg, Ohio (drama), 97
Winther, S. K., 805
Wolfe, Thomas, 526, 589, 806
Woolf, Virginia, 807
Writer’s conception of realism, 60
Young, Stanley, 839
Young, Stark, 809-10
Yust, Walter, 828-29, 831
Zardoya, Concha, 811

*** END OF THE PROJECT GUTENBERG EBOOK SHERWOOD ANDERSON ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- SHERWOOD ANDERSON: A BIBLIOGRAPHY
- Contents
- Illustrations
- Preface

- PART I WORKS BY SHERWOOD ANDERSON

- Individual Works

- WINDY McPHERSON’S SON. 1916
- MARCHING MEN. 1917
- MID-AMERICAN CHANTS. 1918
- WINESBURG, OHIO. 1919
- POOR WHITE. 1920
- THE TRIUMPH OF THE EGG. 1921
- HORSES AND MEN. 1923
- MANY MARRIAGES. 1923

- AN EXHIBITION OF PAINTINGS BY ALFRED H. MAURER. 1924

- A STORY TELLER’S STORY. 1924
- DARK LAUGHTER. 1925
- THE MODERN WRITER. 1925
- SHERWOOD ANDERSON’S NOTEBOOK. 1926
- TAR: A MIDWEST CHILDHOOD. 1926
- A NEW TESTAMENT. 1927
- ALICE AND THE LOST NOVEL. 1929
- HELLO TOWNS! 1929
- NEARER THE GRASS ROOTS. 1929
- THE AMERICAN COUNTY FAIR. 1930
- PERHAPS WOMEN. 1931
- BEYOND DESIRE. 1932
- DEATH IN THE WOODS. 1933
- NO SWANK. 1934
- PUZZLED AMERICA. 1935
- KIT BRANDON. 1936
- PLAYS, WINESBURG AND OTHERS. 1937
- A WRITER’S CONCEPTION OF REALISM. 1939
- HOME TOWN. 1940
- SHERWOOD ANDERSON’S MEMOIRS. 1942
- THE SHERWOOD ANDERSON READER. 1947
- THE PORTABLE SHERWOOD ANDERSON. 1949
- LETTERS. 1953

- Essays and Stories
- Introductions and Forewords
- Letters
- Dramatizations
- Contributions to Periodicals
- Serial Publications Edited by Anderson

- Contributions to the Smyth County News

- Articles Signed “Buck Fever”

- PART II WRITINGS ABOUT SHERWOOD ANDERSON

- Books, Parts of Books, and Periodical Articles

- Poems, Parodies, and Miscellaneous Items

- Reviews

- INDEX

- THE FULL PROJECT GUTENBERG LICENSE